man, that one with tetsuki and azula made me so excited?? like, now i’m wondering what would have happened if azula got to her first? what about a bodyguard!tetsuki? these two strong, brilliant women, and they see each other’s worth, askjfsblhdbfsg need me more of that

So I know this is meant more as a review to this previous ask box author’s cut than another prompt, but I liked the idea so much and, in a way, it does kind of involve an unwritten headcanon for Iron Will that I’ve yet to reveal so… thanks, anon, and also please enjoy?

~

The only difference between what you will and might have become is this:

When you are six years old, your maternal uncle dies. Your grandparents–who had disowned your mother for running off with a lowly, uncouth Earth Kingdom bounty hunter–are now without an heir.

Your father will not give up ZhuEn–she is near to completing her training and would not suffer going anyway–whereas you are six years old and the reason why your mother is no longer alive.

The choice is obvious because it is not yours to make.

///

It becomes apparent very early on that your grandparents don’t really want you. They’re just making do. But even a second born mongrel of an heiress is better than their line ending.

They are desperate and have a reputation to maintain, and so they send you off to the Royal Fire Academy for Girls in hopes the matrons will make something of you.

You’re certainly made into something, but not by the matrons.

///

You hate school.

You only just started training with your father before he sent you away, but you miss the lessons–how to hide in the trees, rig traps and ambushes, and where to stab a person so it’ll hurt but not maim.

At the Royal Fire Academy for Girls you are taught useless things, like how to eat a meal in a ladylike manner and play musical instruments and the names of long dead Fire Nation nobles.

You smuggle a pair of knives into your uniform and memorize the matrons’ patrol of the dorm at night. During lessons you daydream about escaping, but you don’t actually plan on following through:

You’re sure your grandparents would disown you–heiress be damned–and your father has made it clear there is no place for you.

Still, just in case.

///

You don’t look like your father–whose image is fading quickly from your memories–but you have an Earth Kingdom look about you, grey eyes nearly green.

“Like pond scum,” the princess says with a falsely sweet smile on her face.

One not entirely useless thing you’ve learned at the academy: words can be as sharp as blades.

“Your nose is cute,” you say–and you can practically see the interest fade from the princess’ eyes. Everyone compliments her, wants to befriend royalty–“like a baby boarcupine’s.”

Even the young of that particular species can only be generously considered hideous.

Anger and interest flare. You smile back.

///

After that, your status at the school shoots skyward like a firework.

Your parentage doesn’t matter anymore, neither does the fact that you’re heiress to only a minor house–you are part of the Fire Princess’ cohort.

Even the matrons begin to treat you better, no longer smacking your hands to make you pay attention. Now you are allowed to daydream in peace, but you no longer need to: you’ve found your place.

Or, rather, your place has been found for you.

~

A/N: I have a few ideas for some future scenes in this AU, but this was the core of the idea; this is kinda how that bodyguard!Tetsuki would come about.

Check out the Ask Box Author’s Cut event!

Heeee, I can’t help but imagine Ino as one of the Boar clan, a small squealing piglet or something.

Yeah, I realize the whole Yamanaka/Ino vs actual literal boars of the Princess Mononoke film might get a little confusing… um.

As adorable as literal boar piglet!Ino would be, she is human in the Reasons To Keep Living ‘verse, so… sorry to rain on your parade, anon.

There might be a boar piglet which is familiarly sassy which “the stranger” decides to call Ino, but that’s probably as close as I can get.

Reasons To Keep Living + headcanons, please.

Hm… I guess the headcanons are more just adapting more of DoS into the Princess Mononoke universe? But obviously some differences so…

Hope this is what you’re looking for, anon

~

Father isn’t your actual father–you’re human, not stupid, no matter what the boar clan scoff within earshot–but that doesn’t mean he’s raised you any less. It’s Father’s teeth that have provided your meals and Father’s fur that keeps you warm. His deep growling voice the first thing you hear in the morning and the last you hear at night.

Of course, usually that voice is saying that maybe he’ll eat you tomorrow, we’ll see boy, don’t test me, but you know he doesn’t mean it.

He feels guilty, after all. He was the one that killed your real parents.

///

There was a stranger, before, a generation ago. Vastly different and not at all like the stranger here now, but somehow the same.

She came with nothing but the clothes on her back, looking for a miracle.

Maybe she found it, maybe she didn’t–who is to say? She disappeared into the forest and never came back.

///

The Emperor sends an army to Konoha for weapons strong enough to kill a god.

They are lead by the greatest hunter, a man more wolf than person–or so the rumors go.

The Emperor wants eternal life or, at the least, an undeniable show of force. The hunter wants simultaneously a lot less and a lot more: he wants to avenge his lost teacher.

///

Your family is the oldest in Konoha, but Konoha itself is a very young town–only a few generations old.

Which is what confuses you: why did your ancestors choose to settle here?

Your family has hated–and been hated, if such a thing could be said–the forest for as long as they’ve been here. And yet, the walls of the town edge against the borders of the forest. For a people so obsessed with gaining power, why settle near the forest but never go inside?

There are secrets your family keep–even from you.

///

You are a stranger to these lands, and so it is not your place to say, but perhaps it is because you are a stranger that you can see with eyes unclouded.

This situation is a powder keg ready to blow. You’re not sure which side will light the spark first.

///

The god of the forest looks like a deer during the day and a living shadow at night.

~

A/N: again on my phone, hopefully will have my computer back tomorrow!

Check out the Ask Box Author’s Cut event!

some headcanons about the Remember to Sleep AU? thanks!

Well, I already kind of brainstormed this particular headcanon during the slew of Q&A for Remember to Sleep ‘verse, but I didn’t actually WRITE it in prose form so… enjoy, anon!

~

A private detective doesn’t walk anywhere. They slink and sidle and cruise around, or maybe they wander or stumble into a case, or, maybe, they’re running from something.

This is very much so a fleeing for one’s life situation, Kakashi thinks, ducking behind a parked car just in time to hear a bullet whizz overhead. Ah, scorned spouses, they never want to hear they’re being cheated on and yet they always hire him to get the proof. It’s not like he takes skeezy, voyeuristic photos for his own enjoyment.

That’s what his Icha Icha collection is for.

More whistling sounds, more shots, and Kakashi sighs. Lazily, he tracks the bullet paths with his eye, the trajectories as clear as if every bullet had a bright red ribbon tied to it.

Most of them end up bouncing uselessly against a dumpster, some cars, the concrete walls–gun possession clearly does not equal marksmanship–but one of them flies true and straight, out of the alley and into the street.

For a moment, Kakashi thinks it’ll be fine–the mouth of the alley is empty, it’ll strike the building across the way–except someone walks into the projected path. A young woman, smiling, looking at the person behind her, braid of brown hair a different shade entirely from Rin’s. And yet.

Even if Kakashi wanted to call out a warning, it’d be too slow–his eye can see at super speed, but his body can’t always react the same. His voice chokes up, anyway.

He’s going to watch this young woman struck down and it’s his fault.

(It’s always his fault)

A hand darts out, impossibly fast. Inhumanly fast. In between the path of the bullet and the young woman’s head.

Instead of puncturing through, just another flimsy layer of flesh and blood before ending a life, the bullet crumples–crashing headlong into an unmovable object–before falling harmlessly to the sidewalk in a tinny clink.

The young woman (not Rin not Rin, still alive, not Rin) turns around, tugs the hand and the person attached forward, away from the mouth of the alley–not that there are anymore bullets flying–and Kakashi sees him.

Minato-sensei.

But not.

(Not sensei, not sensei, impossibly alive, not sensei)

There’s a blonde man with a bulletproof hand and inhumanly fast reflexes walking around with a striking likeness to his dead sensei.

If ever Kakashi being a private detective was meant for something, it would be this.

~

A/N: written and posted from my phone, so not formatted, but still good yeah?

Anyway, I think I’m getting better at writing Kakashi? Or, at least, vastly AU versions of him…

Check out the Ask Box Author’s Cut event!

A Year With the Moon + what happens at Mt. Moon? (Thank you for your lovely writings! I always look forward your posts and I absolutely love the characterizations and snippets of plot you manage to convey in such a concise way)

Thanks anon! (●⌒∇⌒●)

I don’t remember something extremely significant happening at Mt. Moon–then again it’s been a LONG time since I watched the cartoon–and the temporary title “A Year With The Moon” is more a pun based on the Japanese names of the twins (Ashi is Satoshi and Ember would be Satsuki) but I do like the idea of the Clefairy and the Moon Stone resonating with her as beings not really of this world.

Fight-wise I don’t think things go very much different since Team Rocket always loses and with the addition of Gary and Ember, they’re even more outnumbered, but at the same time, they are very early in their journey and so it’s not a complete curb stomp…

I do think one of the Clefairy/Clefable chooses to go with Ember. I’m pretty sure it’s canon that Ash has aura powers and there do exist humans with psychic abilities and such… I’m not sure what Ember has. I mean, obviously, besides being an SIOC.

Ash regularly meets Legendary Pokemon that range from cryptids to gods, so Ember having some kind of abilities isn’t too far of a stretch. The Ketchum twins are both bizarre, frankly.

I guess, plot wise, it’d make more sense if Mt. Moon WAS more significant in A Year With The Moon–less because of the name, but because for Ember this is the first of her realizing she does have something else going on besides reincarnation.

And, also, maybe the Clefairy/Clefable is only her second/third Pokemon? She’s not really going full tilt on catching them all like her brother and Gary–game play wise, I personally preferred strengthening my team rather than completing the Pokedex–I think mostly she’d still be more amazed at being out in the world of Pokemon and not trapped in Pallet Town.

… yeah… sorry it’s not a ficlet, anon.

Color Time / Indiana Jones TV verse + an award presentation ceremony (oscars etc)?

(・・。)ゞ Hm… I don’t think the TV/movie industry has gotten that far when Colour Time and The Adventures of Konoha Nara are at their peak.

I mean, the advancement of technology and entertainment in the Naruto world is a little weird to me? Like, certain countries are way more advanced than others and then there’s the sudden rapid advancement between Naruto and Boruto’s generations so…

And then there’s the whole… military vs civilian society clash. If there does exist an Academy of Motions Picture Arts and Sciences, then it’s probably a civilian thing. More specifically, an upper class civilian thing if not an outright nobility thing.

Which is not to say that shinobi-produced media wouldn’t be in the running of whatever awards the civilian/nobility run media academy is doing. Just that.

Well.

I’m not entirely sure what I’m saying anymore.

I guess maybe it’s more of a… instead of Colour Time or The Adventures of Konoha Nara getting awards for being amazing/educational television shows, it makes more sense for the creators of the shows (ie Naruto and Sai, or Shikako, respectively) to be awarded/funded by various nobility?

Sort of in line with what happened in Snow Country? Except… backwards…

For example: Colour Time is, along with showing the benefits of art and creativity in a highly militaristic society, about friendship. So Naruto and Sai help the arguing heirs to the Fire Daimyo resolve their issues through art. And because of that, said heirs create a fund for artists in the Land of Fire in their honor.

Or: Prince Michiru, despite Shikako raining death and destruction upon his castle, is still rather fond of her and especially fond of her accidental television series, decides to fund a feature length movie about her adventures never mind the fact that she doesn’t do any of her stuff on purpose and surely being filmed by professional grade equipment (and that daredevil Director from the Unlucky Princess series) would negate all the interesting stuff from happening?

Hahaha… nope.

To this day Konoha Nara and the Moon Crystal is still the reigning leader of opening weekend box office sales.

All that being said, sorry I couldn’t give you a ficlet out of this prompt, anon, but I hope you enjoyed this rambling brainstorm a little bit.

stars also dream + headcanon

Hell yeah I’ve got a couple of background headcanons I can send your way, anon. °˖✧◝(⁰▿⁰)◜✧˖°

~

They come down from the sky on a metal ship; just the two of them and their strange armored ninken.

They want to talk to the leader of the planet.

Father laughs, unsurprising. How do they not know that the world is at war–has always been at war? There are no leaders beyond clan heads and whatever shaky holds the daimyo have on the land.

Still, Father lets them stay for a time; the Senju are not called the clan with a thousand skills for nothing.

When an enemy squadron attacks, they defeat them all easily, just the two of them, with their swords made of lightning.

They leave afterwards, say they will send people in the future–to talk when the world has learned peace.

Tobirama learns that peace isn’t weakness–it’s about being strong enough to not need to fight.

///

When you are eight, you are brought in to speak to the lead teaching Jedi, as all members of your clan are. You are asked about your future plans, about what comes after being an initiate.

Every eight year old at the Temple wants to be a Jedi Knight; to be otherwise is considered a failure.

But you don’t think that’s true.

“An Archivist,” you say, because all of your clan mates have no doubt said they want to become padawans and you’re sure the lead teacher is bored of it. And plus, it’s always better to keep your options open; you’ve always been interested in Jedi traditions, and becoming a curator of them would be a contented existence. “There is still wisdom to be had from our history.”

The lead teacher nods, accepting. There is no change in expression on hir face, which you ought to have expected.

You are dismissed and so you go to the Room of a Thousand Fountains, letting the waters calm you.

You don’t become an Archivist.

///

In the Crystal Cave of Ilum’s Jedi Temple, you undergo The Gathering.

Like many padawan before you it is a test of patience, resourcefulness, and resilience.

It is painfully cold.

You don’t let that stop you.

You are searching for the kyber crystal that will be the heart of your lightsaber, there is no rushing it.

And except for the cold, you don’t think it’s such a terrible experience, the cave practically sings to you–the earth and stone more calming than even the waters of the Coruscant fountains.

When you emerge, kyber crystal in hand, Master Bant looks relieved and proud.

Your lightsaber is a comforting deep green.

~

Check out the Ask Box Author’s Cut event!

Shikaara royalty!AU. When Ino found out

I see you, anon, and I like what you’re thinking. ໒( ͡ᵔ ▾ ͡ᵔ )७

~

Shikako tries to return to her seat without catching anyone’s notice–restless feet is no excuse for further international faux pas–but considering she’s sitting right next to Ino, there’s no escaping it.

Especially not when she stumbles right into her, eyes still dazed from the multitude of camera flashes. Shikako’s just a minor peer–those picture probably won’t end up in the news, right?

Ino lends her a steadying hand, one eyebrow raised in appraisement, “What were you doing?” she murmurs beneath her breath.

Shikako flushes, embarrassed again at the memory, “I just ran into someone,” she says. And looked like a total idiot, she doesn’t add.

Ino holds a stare for a beat, Shikako’s cheeks turning further red, before letting the matter drop.

She’ll find out soon enough, anyway.

///

“The prince!” Ino shouts, bursting through Shikako’s bedroom door without any hesitation. Cruelly, she walks over to the window and flings open the curtains. “You ran into the prince?”

Shikako groans, curling into her pillows and away from the light.

“Shikako!”

There’s an indignant flapping of paper, before Ino heaves a sigh and pounces.

She’s not heavy, but with a high enough trajectory and the element of surprise, Shikako’s breath leaves her in a rush, “No…”

“You didn’t tell me you ran into Wind Country’s prince. Spill now or else,” Ino threatens, yanking a pillow from beneath Shikako’s head and brandishing it like a weapon.

What torments could she possibly inflict that is crueler than waking someone up?

Well… it is Ino.

“Wind Country has two princes,” she says instead, just to be contrary.

Ino smacks her with the pillow. “You know who I’m talking about! The dreamboat with the gorgeous eyes and perfect cheekbones,” another smack, “Just what happened?”

“Nothing happened… I just bumped into him, said sorry, and then returned to my seat?” Confused, Shikako finally cracks open her eyes.

In Ino’s hand is a newspaper, the front page dominated by a color photo of Shikako and the younger Wind Country prince, his arm around her waist, her hand on his shoulder: they had literally bumped into each other and just barely managed not to fall to the ground in a flail of limbs. That’s all.

Ino looks less gleeful, now; she hands over the paper, “Not according to this.”

~

Check out the Ask Box Author’s Cut event!

Never Lookin’ To Come Back + Meeting up with the Ino-Shika-Cho?

Okay, anon, thanks for waiting. This doesn’t quite fill the prompt but it is related so… author’s cut? Anyway, enjoy!

~

When you join the brown coats, your past doesn’t matter. Who you were–who you used to be–where you came from? That doesn’t mean anything.

Everyone has secrets from their past.

The only thing that matters when you wear that brown coat is what you believe.

///

Akimichi has two moons, Nara and Yamanaka, both as important to the Alliance as their planet.

Also like their planet, the moons are ruled by respective clans, though by title they are ministers not chancellors.

The current Nara minister has two sons.

No one mentions anything about a daughter.

///

They’re on the moon of Nohara–closer to the Core than either Kiba or the captain like, tension high in their shoulders, the slightest misstep enough to make Akamaru growl–when Shino comes back with a passenger.

It’s not unusual for Shino to bring back passengers–given how long the Teacher as been on the ship, he’s practically a crew member by this point, never mind that he pays them–but this passenger isn’t the same as the others.

She’s got a wicked smile on her face for one–instead of the typical serene blankness of other practitioners of the Will of Fire–and she even has a last name.

A worryingly recognizable last name.

“We already have the Hyuuga chancellor’s missing daughter and her asshole of a cousin, I don’t see how anyone could be a bigger risk than that,” Kiba grouses, voices contained to the engine room for that extra privacy.

TenTen wasn’t exactly happy at being kicked out of her domain, but she hadn’t argued at the look on the captain’s face.

“We don’t exactly need word of that getting around to the Core, now do we?” Shikako snipes back, but it’s a moot point. Whether or not they take Yamanaka as a passenger, her keen eyes have already spotted the telltale features of one Hyuuga who normally wouldn’t be caught dead on a bucket of rust and bolts like this.

Kiba bares his teeth, “Why are you lying to me?”

///

In the system, the captain’s name is Shikako Heijo; the same name she used to sign up with the brown coats.

Why would it be anything else?

///

Kiba and the captain stomp out of the engine room towards the cargo hold where Shino and their potential passenger are politely chatting as if they were having a tea party and not surrounded by graffitied crates of dubious content, instead.

“We’re not heading any closer to the Core than this,” Shikako says, practically throwing down a gauntlet for the Yamanaka minister’s daughter.

“What a coincidence,” she says, smile gleaming and sharp, “neither am I.”

Kiba doesn’t understand why that makes Shikako bristle something fierce, but he’s still pretty annoyed by all the sidestepping. She was never half as resistant to the Hyuuga bastard on their ship, and as far as he knows, Yamanaka is going to leave after one trip.

Or at least he hopes so, they’re flying a ship, not running a halfway house.

She turns to him, hackles raised, “Your passenger, your problem,” she says before stomping away again.

Kiba huffs in response, off balance and unwilling to show it. “So where are you heading to, then?” he asks, because if he’s going to get some cargo on this boat then he ought to know where they’re headed.

Yamanaka’s smile has dimmed, shrunk into something soft and sad, eyes following after the captain. “The Katou moon,” she answers, “I’m looking for someone.”

Kiba shrugs, “Hey, we don’t need to know why you’re going, we just have to get you there.”

///

As it turns out, knowing who Yamanaka was looking for would have been welcomed information.

After all, it’s hard to stay beneath the ROOT’s radar when you’re on the trail of the last Senju.

~

A/N: No Chouji or Shikamaru, sorry, but I figure Chouji wouldn’t really be able to leave planet Akimichi considering he is the heir and the whole twin meeting would be an entirely separate ordeal. And I more wanted to get into the set up of why the Ino-Shika-Cho aren’t on the ship.

Check out the Ask Box Author’s Cut event!

you have so many great stories and brainstorms and I love all the AU’s you create and I enjoy it when you do askbox events because it means there’s something new to look forward to each day. my fav might be Friendship is a Mutual Con so “FiaMC + headcanon” if you have any :)

Thanks, anon! I’m never sure if the ask box events are fun for anyone else besides me, so I’m glad to hear you enjoy them. (*⌒∇⌒*)

Here’s some… I guess background headcanons for what brought each of the team towards a life of crime.

~

Naruto bounces around foster homes and orphanages, a troublemaker and ticking time bomb that no one wants to be liable for.

Stealing things is just another survival mechanism, an especially useful one that he hones over time.

He has no idea he’s following in his parents’ footsteps.

Not even after Jiraiya takes him in and trains him properly.

///

Shikako becomes a thief inside out: building security systems first before realizing it’s more fun to take them apart.

Still, she has the locksmith shop–a legal revenue stream and alibi–and as far as her family knows, she just has very clingy and very strange friends.

///

Sasuke isn’t a thief, he’s a retrieval specialist.

Dutiful second son trying to bring honor to his family in his own way. The military has uses for boys who can fight, boys who have morals that aren’t… set in stone.

If you love something and you’re good at it, why not get paid premium for it?

An Uchiha doesn’t steal, they acquire.

///

Kakashi’s father will forever be known in history as the biggest scandal in the art world.

People don’t care that Sakumo Hatake had created organizations to promote the creation and preservation of art. They don’t care that his foundation sends hundreds of students each year to school on scholarships. They forget that art museums around the world have him to thank for donations and improvements and, in some cases, their continued existence.

Sakumo Hatake produced and sold over a thousand forgeries before getting caught by Interpol.

There weren’t many avenues left for Kakashi to take.

///

Ever since she was little, Sakura has wanted to save the world.

There’s a lot of pain and cruelty–an endless, constant amount, she knows this–but that doesn’t mean she won’t still try to help.

Her hero is the head of Doctors Without Borders.

Sometimes doing what’s right isn’t what’s legal.

///

Tenzo is framed.

(Yamato will never say so out loud near Kakashi-taicho, in anticipation of the inevitable painting pun)

He is framed and kicked out of Interpol–not quite on the run from his coworkers, but highly aware that he is being watched. Any false step and they will take him down.

He knows who framed him–or, at least, on whose orders they were acting on–but he doesn’t know why.

(Sai does. He’s been ordered to make sure Yamato doesn’t figure it out.)

~

Check out the Ask Box Author’s Cut event!