I’m learning how to run tech for Bindlestiff’s upcoming Queer As Fuck show which is absolutely amazing but also WAY MORE TIME CONSUMING AND EXHAUSTING THAN ACTING IN THE GEEK SHOW WAS?
Like, I get home pretty late and then immediately crawl into bed and pass out?
Today is the only day I have free this week so I made this to help decompress my brain.
(Also, I couldn’t sleep last night and I have a pair of denim pants that were due for projects. I saw one idea for how to turn the butt part into an apron/work belt type thing but I wanted to see if I could use the legs somehow. Hence.. witch hat?
I’m not saying this is for a cosplay of a certain denim-clad magician, but it certainly couldn’t hurt)
I’ll be reposting on a weekly schedule from the beginning (beware the last fifteen or so seconds–there’s a post-roll from Anchor which is MUCH LOUDER than my voice) – jacksgreyson ( @jacksgreysays)
I’m learning how to run tech for Bindlestiff’s upcoming Queer As Fuck show which is absolutely amazing but also WAY MORE TIME CONSUMING AND EXHAUSTING THAN ACTING IN THE GEEK SHOW WAS?
Like, I get home pretty late and then immediately crawl into bed and pass out?
I vaguely know of it but I’ve never actually read it, sorry lionheadbookends. Actually, I’m only aware of it because I’m a fan of Gunnerkrigg Court (as are you! given your avatar) and there was a card game they did together? But it was a while ago…
I’d be more prepared to do that as a new recursive AU though perhaps not in the same way. Like… instead of Shikako as the humming girl genius, it’d probably expand out to Konoha peeps are those from The Forest (or, at least, Shikako is Shadow) and other characters are from The Court… I dunno, I’d have to ponder it some more…
Hardly anyone means to trip, but he especially didn’t mean to do so now, back stepping as quickly as he could after listening in on his sister’s conversation with her weird friends.
Mum sent him to the shop to bring some things for Shikako and remind her about family dinner on Saturday. He didn’t really think much about the closed sign or the locked door: Shikako’s been teaching him lockpicking, on the off chance he might want to follow her in her business and because it’s a handy skill to have, or so she says, and he knew she was there and thought maybe it was a test because it’s not as if business hours mean anything to family, right? Except she didn’t appear when the bell above the door jingled, and he heard yelling coming from the back room and so he went further into the shop (after locking the door behind him, of course) but when he got close enough to actually hear the words more clearly–to understand them–he realized it wasn’t an argument.
Well, it was an argument only in the sense that there was a lot of shouting and disagreements.
Mostly, it was a plan for a heist.
And at first it didn’t make any sense because… because Shikako’s supposed to build vaults and locks and safes not break into them! But there was her voice, logical and methodical, painting such a clear and feasible picture that eventually the argument–the planning–simmered down into agreement.
And in that silence, Kinokawa realized what he heard. And he tried to back away, so as not to get caught, but Shikako only ever trained him in lock picking not any of her other, apparent, criminal inclinations and so in his hurry, he tripped…
… and knocked over the stand of antique keys Shikako keeps to build custom modern locks for fun.
Naruto is the one who gets to him first–or rather, leaps over him to get between Kinokawa and the exit–but Sasuke is the one that pulls him to his feet. Roughly, at first, until he sees Kinokawa’s face, hands gentling almost immediately.
Kinokawa flinches anyway. Not so much out of fear but out of shock. Has everyone Kinokawa known his entire life secretly been criminals this whole time?
Shikako finally follows, her weird pale and quiet friend in her shadow, and the air suddenly goes taught like a string about to snap.
He wants to blurt out excuses, wants to wipe his memory, wants to undo time and just wait in the front of the shop where there weren’t secrets and criminal plans being flung about for little brothers to hear. He wants to apologize.
Shikako gets to it first.
“Ah, I should fix this,” she says, before kneeling down and beginning to pick up the scattered antique keys on the ground.
Reflexively, he does the same. Slipping out of Sasuke’s loosened grip and picking up keys. Shikako glances up, gives her friends–fellow criminals?–a look, and the three of them leave.
It’s quiet but for the soft clinking of keys in cupped palms, the stand being brought back upright, and the somewhat out of tune low humming Shikako does as she works.
It is weirdly soothing, organizing the keys by their labeled tags back onto the stand, that Kinokawa almost startles when his sister speaks again.
“I’m sorry, Kino,” she says, elbow lightly jostling his shoulder as she puts another key in its place. “You weren’t supposed to hear any of that.”
For a moment, Kinokawa pauses. He knows Shikako would never do anything bad to him, but that thought still flashes across his mind–Nara quick and prone to paranoia.
“I hope we didn’t scare you,” Shikako continues. Kinokawa feels relieved followed immediately by bubbling guilt at feeling such.
“No!” Kinokawa denies, assures, “I wasn’t–I’m not scared.”
Shikako smiles, but it’s a kind of sad, disbelieving smile. “You weren’t supposed to find out this way. Although, I guess there are worse ways.”
Another thought comes to Kinokawa, “Were… were you ever going to tell me?” And another, left unasked: am I the only one who doesn’t know?
Shikako answers both, sighing, “I don’t know. A part of me wanted to tell you–all of you, Shikamaru and Mum and Dad–about what I really do–I do so much good, Kino, I can’t even count how many people we’ve helped–but it’s not like I can just say it during family dinner.”
No, certainly not. Definitely not with their dad being the governor’s chief of staff, or Mum being a police sergeant, or even Shikamaru’s own budding career as a behavioral analyst with the FBI.
Kinokawa can see why Shikako would keep her job–hobby?–a secret.
“I can keep it,” Kinokawa volunteers, because he knows his sister wants to ask but doesn’t think she can. But he’s not a baby anymore, “I can keep it secret,” he repeats, “Until you’re ready to tell them,” he adds.
From the shaky smile on Shikako’s face, it’s her turn to feel relieved, and she pulls him into a hug.
Hey anon, sorry I’m a little confused by this. Is this meant to be a prompt? The details of my current ask box event can be found here. And… which recursive ‘verse is Mikako from?
Attachment is discouraged–no, worse than that–attachment is blasphemous.
And yet, what could the bond between master and padawan possibly be otherwise?
Still, you keep such questions to yourself. No need to cause complications for Master Bant, and you are reluctant to prove yourself anything less than the perfect student. (Pride, that’s blasphemous, too.)
The bond between you and Master Bant grow even as missions turn from tense assignments to fraught battles, the galaxy going to war. She teaches you negotiating and healing and fighting and how to tell when is the right time for each. She teaches you how to survive, she teaches you to be independent, she teaches you that sometimes the most important things are the ones left unsaid.
You never told Master Bant “thank you” because the relationship between master and padawan inherently revolves around teaching. It would be like thanking gravity for pulling you to the planet, or thanking the stars for burning bright in the void of space.
You also never told Master Bant “I love you.”
You didn’t have the words for it until long after Master Bant’s light had gone out.
—
The couple who find you–you and the wreckage of your emergency shuttle–stare at you with wide, kind, and concerned eyes, not a drop of fear in them.
How foolish. You could hurt them. So easily. Your lightsaber unlit but steady in your grip. You are mourning, ravaged with your grief, and you understand now how Jedi could fall to the Dark side. You are nothing more than your emotions, your loss, and these people mean nothing to you.
But they are kind and fearless–oblivious–they see only a crying child, and not the battle-hardened warrior you truly are.
But perhaps they aren’t entirely wrong, either. When the woman draws closer, labor rough hands gently wiping at your tears, you do not attack. You collapse into her embrace, body wracked with sobs, grip tightly, desperately, to the fabric of her clothes, aching to hold on.
A few days later, you erase this particular moment from their memories to keep them safe from your past–or to keep your past safe from them–but maybe, you think, in the future you will tell them the truth.
A few years later, another war of a smaller but no less horrific scale breaks out.
You are the last Kinokawa.
—
You have learned by now about keeping things to yourself. You know so well the poisonous coursing of regret in your heart. Words bitten back and left to fester because those who would hear them are no longer alive.
You want to tell your family. Or, rather, you don’t not want to tell them before it’s too late.
That deadline approaches, tensions rise, the familiar vanguard of war. Your family sent out to the front lines, in the thick of it, already scarred by the dangers you couldn’t shield them from. You have your youngest child to think of, but what kind of mother would you be if you didn’t do all you could to ensure the world Eerin grew up in were as safe and peaceful as could be?
Send me, send me, you do not ask, do not say.
You do not need to. You send yourself.
~
A/N: the last one isn’t really SAD canon compliant with the whole “post-Gelel Yoshino involves herself with the events of Episode IV” plot… probably it’s part of the post-Jashin!AU?
Also! In somewhat related news: I’ve maybe figured out how to get the DoS podfic onto apple podcasts/itunes? Still working on it–will keep everyone updated!
Ryohei doesn’t let himself get distracted for long, despite how fun it is to spar with these strangers. He returns to wait in the hallway outside Tetsuki’s door, patient, if neither silent nor still.
He chatters at the door, exercising all the while–at first shadowboxing on his own, then drills with equipment as the Vongola staff catch on and set up the space for him. While unusual and against the aesthetics of the mansions, they do so without asking. Partially because Ryohei is one of the elite Guardians, but mostly because he is one of the nicest and they are fond of him.
And so Ryohei waits, because while he may not be as stubborn as Tetsuki, he’s equally as skilled at persevering.
Kyoko is the one that seeks out answers, handing the supervision of the medics over to Shamal who complains even though it’s his job. And anyway, the stranger that Tetsuki-nee-chan has sent out–Sakura-san, the healer–is doing an excellent job at showcasing new techniques to keep them busy.
Plus, Tetsuki is both family and Family; there aren’t many who are due as high priority.
She calls Kusakabe-senpai first. Mostly because even if Hibari-senpai had a phone–which she highly doubts–he certainly would never answer a call with it. A few minutes of polite small talk and careful maneuvering around the topic of Tetsuki and she finally gets connected to Hibari-senpai.
“What happened on that mission?” Kyoko demands, steamrolling over Hibari-senpai’s less than pleased greeting, “She won’t leave her room and she’s not letting anyone else in and she keeps… making strangers to send out in her place. As if that’s what we wanted instead of her to be okay!” She finishes in a frustrated shout before immediately shutting her mouth–Hibari-senpai might not be that hard-headed violent teenager anymore, but he certainly wouldn’t appreciate such disrespect.
Her frustration isn’t at him, anyway. Not really at Tetsuki-nee-chan either. Perhaps it’s not frustration at all, just concern.
Silence reigns on the other end of the line and for a moment, Kyoko thinks that perhaps Hibari-senpai has hung up or simply walked away from the phone letting the call run through, until he belatedly answers, “Ask the pineapple.”
Another silence reigns, Kyoko waiting for more, prepared to outlast Hibari-senpai–he Sasagawas can be patient in regards to important matters–when finally, reluctantly, Hibari-senpai asks, “Should I send Tetsu?”
Kyoko can easily imagine the fierce scowl on his face, but the offer to send his second in command away for an unknown length of time only shows how worried he is for Tetsuki-nee-chan as well.
“No, not yet. Kusakabe-senpai can stay with you for now. I’ll call again if–”
The dial tone plays back to her. Kyoko huffs, irritated, but internally acknowledges that probably was the best outcome for this call.
Really the only reason why she tried Hibari-senpai first despite the unlikely odds of it working is because he’s easier to find. Getting in contact with Mukuro is going to be a greater challenge. Alas, such is the way of Mists–never mind she herself partially has that very flame type.
The chain goes as such: Kyoko asks Fuuta-kun–main handler for Vongola’s Guardians–who connects her with Chikusa and Ken, who still act as bodyguards for Chrome, who then consults with Fran and, eventually, somehow sends a message Mukuro.
It’s about a month, all told, for Mukuro to respond, appearing in Vongola Mansion and acting as if he weren’t the most infuriating person Kyoko has ever had to deal with–especially when Tetsuki has yet to come out of room, sending out more and more strangers as the weeks pass.
By the time Mukuro arrives, both of the Sasagawa siblings are chomping at the bit, held back only by the thought that Mukuro might be able to help Tetsuki. So when they ask him what happened, neither of them are in the right headspace to comprehend his answer.
“She died,” he says with an almost careless shrug, eyeing the door where his fellow Guardian hides. “But she’s always had a small flicker of Mist Flames, so I was able to ensure she would come back.”
“You saved her life?” Ryohei asks, hopeful, almost thankful to Mukuro, not understanding. Kyoko stays quiet, because surely there’s more.
“No she definitely died,” Mukuro answers, almost laughing. When he turns to face them properly, his red eye practically glows, the six all the darker for it, “And then I sent her off to die five more times.”
JackSGreyson Says 