Shikako’s told us a lot about what other people’s chakra feels like to her, but I was wondering (if you had any thoughts on) what her chakra felt like to other sensors?

😀 Okay, anon, so in my completely non-canonical and outsider opinion on this, I actually headcanon that Shikako’s way of describing other people’s chakra is one of the few things that carry on from her previous life/“chakra hypersensitivity.”

The way she/SQ describes chakra in terms of sensations–warm sunshine, static and ozone, glowing embers, descending twilight, bubbling brook–it’s very much like someone trying to explain color to someone colorblind. (Or, at least, what I have been trained to understand in media as someone trying to describe color. I legit have no idea if that’s just a hollywood thing or an IRL thing. The only colorblind people I know have only mild forms of deuteranopia and it’s mostly a problem in trying to figure out where on the spectrum certain colors stop and others begin.)

What is green? It’s freshly cut grass and the calming scent of tea. What is red? It’s passionate like fire, the bright burst of sweetness of strawberries in the summer. Blue is the ocean, cool and deep, etc.etc.

So I always figured that chakra sense is literally another sense that we, as readers in a world without chakra, can only experience via the sensation-descriptions that Shikako/SQ give us.

Which, I think, is also kind of why Shikako is unprecedentedly keen at being a chakra sensor. Kind of like color blindness being able to see through camouflage? Most sensors cannot tell what jutsu was used in a certain place and how long ago and in what direction it went. It is, after all, why Shikako got that special jounin rank.

With other chakra sensors I think their abilities are very in the moment. They can tell you how many people are coming and how far away they are. They can tell you how much chakra a person has left (relative to their capacity) and how much chakra they themselves can exert.

Shikako doesn’t have this. Shikako is known to have a problem with… not controlling her chakra necessarily but… moderating it. Regulating it? If that makes any sense. She has and WILL use every last dregs of her chakra and think she’s still okay to walk around afterwards. She pulls her chakra in to the point where even non-sensor Kakashi gets alarmed, and doesn’t realize how weird that may feel to other people.

It’s also why Jiraiya is VERY CONCERNED that she can sense natural energy since that’s not usually something a non-sage can sense. Shikako perceives human/animal-produced chakra and natural energy with the same “sense” whereas other chakra-sensors can only perceive human/animal chakra. Shikako is using a different sense or is interpreting it in a different way.

So I guess in a very roundabout way I’m saying that other sensors are very baffled by Shikako’s chakra. She has a very active regulation of her chakra–I headcanon that the bouts of her passing out as a child as per Sunshine Sidestories Ch 17 is that she hadn’t yet figured out the trick to subconsciously producing chakra. Or rather, while she was still new to the Naruto world, she was too aware of it and kind of…

You know how when you realize you’re breathing and then you become too conscious of breathing and then your pattern gets all weird until you forget about it and then it’s just back to something you do normally? Yeah. Like, Shikako’s body subconsciously will produce chakra but in the early years she was too aware of chakra because of her “hypersensitivity” and so she had to manually produce chakra until it became (like the enhancing her muscles with chakra, like breathing) just something she could do without thinking. (Which is kind of the “epiphany” she has in the fifth installment of Flip To The Last Page)

Yeah. So, very strange for other sensors. If I had to attach normal chakra sense to a RL sense, it’d probably be sound. Which explains why most normal chakra sensors can’t perceive natural energy because it’s just always there and if you’ve always lived with natural energy then there is no change in “sound” for you to hear so it just gets filtered out. Either that or natural energy is at a “frequency” outside of normal chakra sense the way some sounds can be heard by animals but not humans.

So for these listening chakra sensors, Shikako’s chakra is kind of like listening to someone whose volume kind of jumps all of the place for no perceivable reason. Or maybe if its music then the tempo changes for no reason. With other people volume/rhythm corresponds to how much chakra they have left and how they feel emotionally, with Shikako it’s just kind of all over the place. Sense of hearing also goes with the whole “their sense helps in the moment and even at a range, but not after a period of time” since there’s no leftover sound for them to pick up.

Whereas Shikako’s chakra sense is probably more like RL sense of touch. It’s been said before with trying to follow the “heat” of the earth walking jutsu. And it would kind of explain how she can perceive natural energy even though it’s always around and (minus, perhaps the Dead Wastes of the Gelel shrine) her body has never been in a world without natural energy. Like… people who live in one place their entire lives know what humidity is (or lack thereof, for us desert peeps) and don’t have to know what a different humidity is like to know that the air is wet or dry.

If that makes any sense…

So yeah.

Other chakra sensors look for the changes in chakra around them (like sound is vibrations in the air) and to them Shikako is pretty much that one radio station that doesn’t know how to moderate their volume between songs and doesn’t have a set music genre either.

The Zoo

molded-from-clay:

So my bf and I were discussing the first generation of humans to be abducted from Earth and placed in Pink Diamond’s zoo. Ideally (as messed up as that sounds) PD would’ve had to abduct at least 200+ humans to ensure genetic diversity and prevent inbreeding, assuming she snatched them from countries furthest away from each other. 

Anything less than 50 people would not have survived this long, at least not without some major repercussions. (Some inbreeding might explain the green eyes, though.)

And I’m not sure just how advanced the gem technology was in that assimilation bay (where they sprayed Steven clean), but exposing Greg to that isolated group could potentially kill them all within a week by disease transmission.

Or perhaps I’m just overthinking this whole thing

Given the number of Rose Quartzes bubbled (and the theory going around that they were specifically designed to be human caretakers unlike the Amethysts who were supposed to be foot soldiers) I think it’s probable that Pink Diamond’s first generation of humans were a huge enough population to ensure genetic diversity.

I think, most likely, the amount of humans left in the zoo is either due to waning interest in the zoo itself (the other Diamonds don’t really care about preserving the species–or not as much as Pink Diamond must have), lack of skilled caregivers (Amethysts don’t have the healing powers or biology-based abilities that Rose Quartzes did) or the small group we saw in the episode was only one of many “habitats” of the over all zoo. For example, maybe siblings are deliberately separated to prevent inbreeding. Or pregnant humans are in a “maternity habitat” or (except for Steven) children are in a “nursery habitat” or something like that.

I suppose the disease issue might be circumvented if the liquid Steven and Greg were submerged in were like Rose Quartz’s fountain of healing?

My particular overthinking subject was how these humans descended from the original population stolen five thousand years ago were capable of understanding modern day language.

I mean… unless since the Voice in the earrings spoke that language that, technically, humans on Earth are speaking Gem language?

Team seven is kind of team nightmare. Beyond miss living shadow the facehugger the deathless who kills ruthlessly while being from treehuggerville, you got the living human sacrifice powerhouse possessed by the most destructive of tailed beasts whose very chakra is corrosive, who has an uncanny resemblance to Minato of mass destruction, Sai who does not human, and treeman like 1st hokage. “Face him and lose” Kakashi and “my revenge>your life” Sasuke are pretty normal, compared.

jacksgreysays:

Oh, god, yeah pretty much! The most recent chapter is just… a lesser shinobi than Neji (and, let’s be real, many shinobi are lesser than Neji) would have screamed when a flying cloud of shadowy death flew towards their face.

I screamed when I was reading it, and I’m not even there.

Obviously any team that Kakashi “casually invents an one hit kill jutsu as a teenager” Hatake got his hands on would be a bunch of over powered juggernauts. I mean, not even considering Team Seven’s respective backgrounds. No wonder Yamato/Tenzou is constantly exhausted if that’s what he had to put up with.

And Sai, oh that poor sweet baby has no idea what befriending Team Seven will do to him. He can’t even human properly and now he’s being thrown into the deep end with a bunch of weirdos. It’s like Aggressive Friendship 101… except maybe not 101, because that would imply its an introductory course. There is no introductory course. In the Game of Friendship you play to win or you die. >:D

Hahaha, yeah. Team Gai are suitably bewildered by Shikako. Then again, TenTen knows that the kind of mind that can just produce the seals Shikako does is probably a frightening place. Impressive, but frightening.

I wonder if each member of Team Gai is most afraid/intimidated by different members of Team Seven? TenTen is like: oh no, Shikako is just socially awkward, but she’s a nice person. And Lee and Neji just have horrible flashbacks to the Forest of Death. And now eldritch horror no jutsu. O_O

Team seven is kind of team nightmare. Beyond miss living shadow the facehugger the deathless who kills ruthlessly while being from treehuggerville, you got the living human sacrifice powerhouse possessed by the most destructive of tailed beasts whose very chakra is corrosive, who has an uncanny resemblance to Minato of mass destruction, Sai who does not human, and treeman like 1st hokage. “Face him and lose” Kakashi and “my revenge>your life” Sasuke are pretty normal, compared.

Oh, god, yeah pretty much! The most recent chapter is just… a lesser shinobi than Neji (and, let’s be real, many shinobi are lesser than Neji) would have screamed when a flying cloud of shadowy death flew towards their face.

I screamed when I was reading it, and I’m not even there.

Obviously any team that Kakashi “casually invents an one hit kill jutsu as a teenager” Hatake got his hands on would be a bunch of over powered juggernauts. I mean, not even considering Team Seven’s respective backgrounds. No wonder Yamato/Tenzou is constantly exhausted if that’s what he had to put up with.

And Sai, oh that poor sweet baby has no idea what befriending Team Seven will do to him. He can’t even human properly and now he’s being thrown into the deep end with a bunch of weirdos. It’s like Aggressive Friendship 101… except maybe not 101, because that would imply its an introductory course. There is no introductory course. In the Game of Friendship you play to win or you die. >:D

kevystel:

how do people with depression in the harry potter universe perform the patronus charm? asking for a friend

Maybe it’s a matter of perspective. Like, sure, people with depression can’t perform the patronus charm but they’re also less affected by dementors in general: Oh your presence makes everyone feel shitty and you steal away my happy memories? Well guess what, I already feel shitty and can hardly remember what it was like being happy. So guess who’s the loser now!

Probably people with functioning depression can last longer when faced with a dementor, so they do have more time to scrounge up any happy memory for patronus charm. And, perhaps, instead of a full blown guardian animal all they get is silvery wisps, but maybe that will be enough to fend off the dementors for your non-depressed friends to whip out their glowing capybara of happiness.

Prompt/idea: Team Seven and overthrowing corrupt dictator(s). (i mean, its already canon, right?)

jacksgreysays:

… hm…

To be honest, anon, I’m not entirely sure what to do with this prompt. Like you said, it’s basically canon that Team Seven overthrows corrupt dictators even though, usually, that’s just a byproduct of their main mission to protect their client.

I suppose the issue is that they can’t go around doing it deliberately without it being a political overreach on both Konoha and Land of Fire’s behalves: as if they were either meddling in foreign affairs or turning Land of Fire into and empire. Already the friendship alliance going on with Mist and Sand is highly suspicious in the eyes of Rock and Lightning so…

And… well… how many countries are there even? How many dictators could there possibly be before news of Team Seven spreads? How long would it take before Team Seven has to take a look at their own government for corruption? And, well, it is also canon because… Danzo… but surely there are evil schemers in the Fire Court. Or perhaps even the idea of nobility/royalty will start to seem like dictatorship…

I guess what I’m saying is who watches the watchmen?

Although in a more abstract interpretation of your prompt I did think of an idea sort of like… a post-post-post-canon Rise of the Guardians-esque story. In which many generations have passed and ninjutsu is as much a matter of legend as ninshuu is for current canon shinobi. There are still injustices in the world–old injustices given new faces–but children have less access to the abilities to save themselves. And it’s kind of…

Well, in line with the Rise of the Guardians vibe I suppose my idea is a little based on Esama’s All Hallows and joisbishmyoga’s Lullaby, in that after Team Seven dies they become guardian spirits to protect children from all the awful things in the world. And they’re held together more by belief of a thing, by ideals and hope and the need for help, than actually ghosts.

So when a child is being hurt by an adult, or when they have no one else to turn to, or when a child is on the verge of death… one of Team Seven appears and helps them however they might. And sometimes that’s getting rid of their abuser, sometimes it’s bringing them to a place that can help them. Sometimes it’s just being there and holding their hand as they pass on.

Children pass the story on–in the way there exists a children’s culture separate from adults, certain rhymes and games that spread from playground to playground without ever being heard by adults–about how if you’re afraid, or if you’re hurt all you have to do is call for them and one of Team Seven will come to help. 

A little bleak, sorry, but that’s what came to mind.

I suppose a different twist on that might be something where Team Seven is like King Arthur? In that they will return during the hour of the Elemental Nations’ greatest need? And whether that means in a literal sense–they’ve died and are the last hope for a group of rebels who summon them/their spirits to save them–or a more happenstance sort of way–the rebels only know that this mysterious chakra device will help somehow but they don’t know it will specifically be Team Seven and so both the rebels and the team are surprised when the three are summoned–or… I dunno. There’s a lot of takes on that.

I am now getting very strong Final Fantasy vibes. I mean, Shikako already has her Gelel stone which is very much like the summon materia in FFVII. And I’ve already posited that FFVII and the Naruto world could easily be one in the same if millennia apart. So maybe instead of FFVII being before the Naruto world, this would be the other way around with DoS being before FFVII? And AVALANCHE happens upon Shikako’s Gelel stone and she gets summoned to help fight ShinRa and Sephiroth?

I don’t know how Naruto and Sasuke get summoned, too. Though given both of their respective heritages/superpowers no doubt there’s some way for them to get preserved/summoned as well. I mean, I did also posit that the bijuu are very much like WEAPONs so that could be what happened to all of the jinchuuriki. And as for Sasuke. Well… Sharingan. Who even knows what that can do at this point? Not Kishimoto, that’s for sure, and definitely not me. 

So basically, a remix of Stories of Ancient Gods.

… OH! You know, I just realized, upon trying to look through the confusing mess that is Kaguya Otsutsuki’s naturowiki page, that her “go from dead planet to young live planet and eat their vitality” is not only reminiscent of Jenova but also is like Jadis from the Chronicles of Narnia.

So if you include Sakura along with Team Seven then that would make the four of them “two sons of Adam and two daughters of Eve” (never mind that Adam and Eve are not in the Naruto world) so in the same way that my still as of yet unwritten Once Then Always has the Lost Kids take the place of the Pevensies, then you could have Team Seven take their place instead.

And, well, if anyone’s a corrupt dictator in need of overthrowing then it would be the White Witch. 

Hahaha, yeah they would be super terribad at being royalty wouldn’t they?

I think the problem is that, unlike the Pevensies who are still children and grow into themselves in Narnia, Team Seven are already adults in the eyes of Konoha and fully capable warriors. Not only that, because of how capable they are, they would be able to overthrow the White Witch quickly.

… possibly too quickly, actually, because if you consider the White Witch as… even if she were S-rank, she’s the only one who is S-rank. The rest of her soldiers are, at most, chuunin level and easily taken out. So given one S-rank enemy against Team Seven? I mean, they haven’t yet gotten to fighting Akatsuki yet, but I believe at this time all four of them would be able to take on one S-rank easily. And that is, again, if we give Jadis the benefit of the doubt and consider her S-rank.

So Team Seven overthrowing Jadis too quickly is a problem because they’d then view the situation as the many other times they’ve overthrown a corrupt dictator. They got rid of the problem, and now it’s time for them to go home while the natives sort out their government. Except in Narnia they’re the new government.

I do think their priority will be trying to get home and finding that they’re unable to? (At which point I’m concerned they may try to go after Aslan for “keeping them captive” which, obviously, would not be a good thing and not just considering that Aslan is much stronger than Jadis. There’s the whole, you know, Jesus thing O_O)

So if, for some reason, that issue is resolved, then I think there would be even more culture clash. Noble Clan of Uchiha aside, none of Team Seven are actually nobility in the sense of knowing how to build infrastructure. Shikako might know something similar only because she is the Nara Clan Head’s daughter, but even then that doesn’t help because Konoha is a military society and it’s just like…

What.

There would be so much political intrigue that Team Seven are wholly unprepared for because they can’t just use ninjutsu on the problems to make them go away.

That being said, I do like the idea of Team Seven accidentally making Narnia too militaristic and the surrounding countries being like… we thought the eternal winter thing was bad, but now they’re turning beavers into warriors?! (I mean, ninken exist, so it doesn’t seem too out there for Team Seven. And Reepicheep is a swordsmouse so…)

Narnia is probably mostly ruled by regents while the actually kings and queens travel around the kingdom and use their abilities for the good of the people.

Basically, overthrowing the dictator isn’t the problem. Cleaning up her mess is.

mihrsuri:

notbecauseofvictories:

in another universe, beru whitesun lars and queen breha organa of alderaan meet in the belly of the millennium falcon. 

my aunt, luke skywalker says, and beru’s hand flutters self-consciously to the bruises, still ugly yellow-purple at her jaw, her cheek, where the raiders left her for dead.

my mother, princess leia says, and breha draws herself up in an attempt to look as though she has not recently been manhandled into a cell whose door she battered herself against, screaming for her daughter.

but beru hears ‘her majesty’ and stumbles into a curtsy (unlike her mother-in-law, maysherestinthelight, beru had never learned this; her family was seven generations free and she’d never knelt to anyone.) but breha catches her by the wrists, draws her up and into an embrace.

 I am so glad to meet you, breha says. my husband told me there was another child, but I feared—I am so glad.

oh, beru says, her gaze flicking over breha’s shoulder to her nephew, to the princess with her dark hair and eyes that remind beru of shmi’s. oh, she breathes. I am glad too.

middle aged ladies being friends,middle aged ladies fighting for the rebellion!!!!,han solo being generally terrified of both of them,families who don’t share any blood ties whatsoever but all love each other and want to be around and protect and help and fight,beru whitesun lars and breha order queen of alderaan (even if alderaan doesn’t exist any longer) and mon mothma,tactician and once-senator of the republic,form a triumvirate that win the goddamn war so there I said so,and no skywalkers are harmed in the making of this victory,the end,roll credits,star wars,the warry stars

OMG! This is a Stars Also Dream AU that I would love to see someone else do–or maybe even do myself if I actually finish SAD to a satisfactory degree–because it would be so amazing and can you imagine! Yoshino would fit so well in this badass middle aged ladies quartet:

The Jedi, The Queen, The Tactician, The Engineer–or maybe The Survivalist? The Pathfinder? (Rural living is hard, but desert rural living on the hell planet that is Tatooine? O_O Beru is probably, much like her nephew, sunshine and smiles with a core of tempered death)–taking on the Empire.

It’s like the best sci-fi heist movie that my child self could barely hope to wish for. 😀

I really love them just BroTP’ing it up, but since everything ends in shipping… what’s your opinion on Shikako/Kankurou?

(Sorry this took so long, anon, I saw your ask and then spent the entire day at work pondering it and now there’s a huge rant so… enjoy?)

I’m most fond of them BroTP’ing it up as well, anon. Their dynamic is very… hm… buddy cop? Well, no, it’s more like…

I don’t know, anon. Whatever their dynamic is I love it as is, and while I prefer platonic friendship to romance I guess the thought experiment of a ship would be interesting to do, so let’s go?

Shikako/Kankurou as a ship outside of setting or potential fic brainstorming, I think…

For some reason my thought process goes like:

Wouldn’t a Shikako/Kankurou ship just be like the Shikako/Kiba ship (pre-Land of the Moon arc)?

NO!

Why not?

Well…

On the surface, I suppose the Shikako and Kankurou dynamic and the Shikako and Kiba dynamic do look pretty similar. There’s witty banter and respectful acknowledgement of badassery tempered with mutual teasing… but it’s the difference between someone seeing a heretofore unseen side of a childhood friend versus learning a new acquaintance without any prior bias.

I feel like Land of the Moon and Lost Child arcs really convey this. Like, Kiba is not only surprised but almost perturbed by Shikako’s more recent actions. They legit have a philosophical discussion about what the right thing to do is and you can almost feel the way Kiba has to revise his opinions of Shikako. No longer is she the girl who was the tree for their school play, now she’s the girl who will single-handedly reverse a coup.

Whereas, if Kankurou were to witness the same thing he wouldn’t find it strange at all. That’s just part of who she is, as far as he’s concerned. If anything, that would add to what he knows about her, might even help explain some her idiosyncrasies. Like. All powerful shinobi have quirks and while no doubt Shikako tries to embody polite normal Konoha girl, I’m pretty sure everyone who talks to her more than once realizes how weird she is–and I say this in the kindest, fondest way possible–that girl is a weirdo.

Knowing what Shikako’s oh shit/fuck you button is is probably a huge relief to Kankurou because he knows it exists–she blew off a guy’s head!–and at least it’s something that he can avoid. Contrast with Kiba who, having grown up knowing her as Shikamaru’s shy sister, probably never even thought she’d have one.

Anyway. That’s my instinctive answer to that.

Thinking more on it, especially on Shikako’s end, I do think she appreciates that non-expectant aspect of their relationship. She doesn’t have to censor herself around Kankurou, weirdly enough. With fellow Konohans, they’ve known her forever; she’s always been around to help them and be a listening ear (it’s one of the many reasons she’s been so stressed lately) and it’s something she feels obligated to maintain.

Even with Gaara she feels obligated to generate an aura of compassion, as a sort of teach by example thing, while with Temari she thinks she needs to maintain that position of strength she established early on.

Kankurou? She can be snarky. She can have stage fright. When she tries to play the polite professional, he snorts and prods at her to just be herself. Yeah, he’ll challenge her to a theater battle, but he’ll be the first one to clap for her. Challenger and hype man both, constantly and simultaneously impressed and amused and I think there’s something comfortable yet exciting about a relationship like that.

Now as for how I would write a Shikako/Kankurou ship? Hm… in a canon DoS setting this would be another one of those that happens post canon events. There are only a few ships that I can see even possibly happening pre-canon (Gaara, Sasuke, Kiba, Ino) but even those would have to be carefully guided and cultivated toward that.

Erm, so yeah. Shikako/Kankurou would be post-canon events. It’d probably be… for some reason, my brain thinks it should NOT just be a tweaked version of Dreaming of S(omething). I think I’d want to do more of a… the semi-canon AU in which Shikako accidentally becomes a TV star

(… oh snap, is this what you were referring to when you meant The Arts, anon? My bad…)

Well, basically, it’s while she’s doing research on the ruins of the Gelel shrine except with less Indiana Jones style shenanigans? I just want it to be like she’s on a sabbatical in Sand and Kankurou is playing tour guide and he’s helping her through her PTSD and what-do-I-do-now-that-my-life-goal-to-survive-Akatsuki-has-been-completed quarter life crisis but he’s doing so either unintentionally or, more likely, purposefully but subtly.

They both kind of explore who they are outside of being shinobi–he’s a huge Theater Nerd and she’s a huge Regular Nerd and they tease each other for it but they also accept each other and it’s fun and relaxing. (I’m having feels over the idea of these teenaged walking weapons of mass destruction striving to be well adjusted human beings.)

In a more definitively AU setting?

…

… OH! A Parks & Rec AU where Konoha people are the Department of Parks and Recreation and Suna people are a different department in the same ambiguously massive city. Maybe they’re something like the Department of Cultural Affairs?

Anyway, that means Konoha are all still tree-huggers as per canon, and there’s a bit of competition between the two groups, but there’s also future collaborations (open air theaters anyone? The equivalent of Shakespeare in the Park?) And that means the other villages can also be mentioned and hated other departments. (WHICH VILLAGE IS THE DMV?)

Kakashi as Ron Swanson who doesn’t do any work because authority is there to laugh at not respect. Shikako as Leslie Knope who only sleeps three hours a day because she has SO MANY PROJECT IDEAS. Ino as Donna Meagle who runs a far more profitable real estate agency but still works in the department to hang out with her friends. Um, I can’t think of the others right now but it’s not like it has to be a one to one swapping crossover anyway.

At first their departments are antagonistic–fighting over budget, stealing each other’s supply of paper clips, the ongoing war to prank the other department which PISSES THE CUSTODIANS OFF SO MUCH. And then they begin to work together–tentative collaboration on cultural events held in parks, etc–and then that becomes alliance against the other departments, etc. etc.

I suppose this AU setting doesn’t necessarily need to be Shikako/Kankurou, but I do think that this AU would fit that particular ship quite well 😀

Not sure if you follow it, but there was a recent spate of ‘Shikako and Kankurou have a theatre war’ headcanons/ficlets over on the forum (and I think I remember you expressing something about them and The Arts at some point…)

jacksgreysays:

jacksgreysays:

Oh reeeeeeaaaaaally? Sounds like fun, anon, thanks for letting me know. I’ll check it out!

Well, my head canon regarding Shikako and Kankurou’s relationship is greatly based on their canonical theater war during the Land of the Moon arc. And how, even though Shikako would really very much like not to be on stage, she somehow ends up there and how hilarious Kankurou finds it.

Shikako is very accepting of Kankurou’s not-so-Inner Theater Nerd. It’s not as if others discourage him or anything–because the Puppet Corps are a key part of Suna’s culture and military–but I wonder how many support his passion outside of battle puppets.

And, also, all the weird shit that happens to Shikako is very good source material for his future play.

I think, given Killer Bee, that rap already exists in Lightning Country to some extent that Shikako wouldn’t be the one to come up with rap musicals. Especially with… okay, don’t get me wrong, I love Hamilton, but I don’t think Shikako would bring that into the Naruto world even if she knew it (seeing as how the timing of when SQ began the story doesn’t match up)?

It’s very much so based in Our World, and even though it has seen success internationally, Hamilton is still the story about the American Revolution and that’s very… Hamilton is sensational, but it’s not a story that can easily be told in the Naruto World. And if rap originates from Lightning Country, then surely there are already (or at least the foundation for) epic stories told in rap form? Shikako doesn’t really need to be involved in the process.

I love Galavant, too! It’s fantastic, isn’t it? Galavant, I think, would be easier for her to “translate” in the Naruto World, but I have to wonder if she even would? Or, rather, if she would be more involved than telling someone else about the idea and then passing the responsibility onto that person instead.

All we have in canon to base this on is that time she told Sai about Sailor Moon, and it was very much so a one to one kind of experience. I myself have expounded on that idea with Dreaming of S(tories) in that she performs impromptu shadow puppet shows for the kids of Sand and one of the stories is a remake of Little Red Riding Hood called Akako and the Wolf. But that’s still a very small informal experience. Anything bigger, as seen with the theater battle against Kankurou, and she doesn’t feel comfortable.

Sorry, @kristinaxx0, I didn’t mean to rain on your parade per se. I suppose if you mean produce in the same way film producers invest in the idea and have the director take over, then yes I can definitely see Shikako doing that (especially if it’s Sai because she supports him doing anything that isn’t ROOT).

Oooooh, okay. Sorry! I just read the post now so I didn’t understand that Hamilton had been brought up already… as “Hashirama” which is fantastic. 😀

Not sure if you follow it, but there was a recent spate of ‘Shikako and Kankurou have a theatre war’ headcanons/ficlets over on the forum (and I think I remember you expressing something about them and The Arts at some point…)

jacksgreysays:

Oh reeeeeeaaaaaally? Sounds like fun, anon, thanks for letting me know. I’ll check it out!

Well, my head canon regarding Shikako and Kankurou’s relationship is greatly based on their canonical theater war during the Land of the Moon arc. And how, even though Shikako would really very much like not to be on stage, she somehow ends up there and how hilarious Kankurou finds it.

Shikako is very accepting of Kankurou’s not-so-Inner Theater Nerd. It’s not as if others discourage him or anything–because the Puppet Corps are a key part of Suna’s culture and military–but I wonder how many support his passion outside of battle puppets.

And, also, all the weird shit that happens to Shikako is very good source material for his future play.

I think, given Killer Bee, that rap already exists in Lightning Country to some extent that Shikako wouldn’t be the one to come up with rap musicals. Especially with… okay, don’t get me wrong, I love Hamilton, but I don’t think Shikako would bring that into the Naruto world even if she knew it (seeing as how the timing of when SQ began the story doesn’t match up)?

It’s very much so based in Our World, and even though it has seen success internationally, Hamilton is still the story about the American Revolution and that’s very… Hamilton is sensational, but it’s not a story that can easily be told in the Naruto World. And if rap originates from Lightning Country, then surely there are already (or at least the foundation for) epic stories told in rap form? Shikako doesn’t really need to be involved in the process.

I love Galavant, too! It’s fantastic, isn’t it? Galavant, I think, would be easier for her to “translate” in the Naruto World, but I have to wonder if she even would? Or, rather, if she would be more involved than telling someone else about the idea and then passing the responsibility onto that person instead.

All we have in canon to base this on is that time she told Sai about Sailor Moon, and it was very much so a one to one kind of experience. I myself have expounded on that idea with Dreaming of S(tories) in that she performs impromptu shadow puppet shows for the kids of Sand and one of the stories is a remake of Little Red Riding Hood called Akako and the Wolf. But that’s still a very small informal experience. Anything bigger, as seen with the theater battle against Kankurou, and she doesn’t feel comfortable.

Sorry, @kristinaxx0, I didn’t mean to rain on your parade per se. I suppose if you mean produce in the same way film producers invest in the idea and have the director take over, then yes I can definitely see Shikako doing that (especially if it’s Sai because she supports him doing anything that isn’t ROOT).