Language in YOI

I’M STILL RIDING THE EMOTIONAL HIGH OF YURI!!! ON ICE EPISODE TEN, AND I’M TECHNICALLY ONLY FANDOM ADJACENT (I prefer watching things in one long binge session, but I still love watching the fandom’s reactions to episodes as they come out. Spoilers are not really a concern for me).

I am also absolutely in love with all of the analyses of the series post ep 10 plot twist (especially @tumblngkori‘s analyses of the series from Victor’s POV) now that we know the full story. I’m not sure if someone’s already brought this up but and this is just me being a dork who can’t find the right post, but…

I was wondering if anyone had perhaps analyzed the series with the matter of language during everything? Like, obviously, most everything is said in Japanese because that’s who the target audience is, but I wonder how much would be in what language if it were IRL. English is probably used most during the group scenes, but what do Yuuri and Victor use between them? Japanese? Russian? Some amalgamation of the three?

Especially consider Yuuri’s drunken state at the banquet? Maybe the only part Victor literally understood was “Be my coach, Victor” at the end in English and the rest of it was in drunkenly slurred Japanese.

Thoughts?

Trailblazers ficlet (2016-12-09)

It doesn’t snow at Vongola HQ, southern Italy blessed with the Mediterranean climate, but winters are still cold enough that she feels it in the night.

Tetsuki has a room in Vongola HQ, elegantly decorated with classic furniture and soft green fabrics. She doesn’t like it.

She’s not ungrateful: It is a nice room, and she likes having a space that is designated hers–traveling so often and to so many different locales means that she spends most of the year in hotel rooms or makeshift bases in warehouses.

But she’s here so infrequently that it doesn’t feel like home. It doesn’t help that Tetsuya is in Namimori.

The bed is comfortable, with smooth linens that feel nice on her skin and a duvet heavy enough to feel grounded under.

But it’s so big and even with all the pillows and blankets piled around her in a nest, it feels… lonely. Cold. Empty.

She’s had enough of that feeling for a lifetime.

It’s a couple minutes passed one in the morning, but the beast that is Vongola HQ doesn’t really sleep, hallways lowly lit. One of the house staff glances at her oddly, a slouching mass of pillows and blankets, but they bow respectfully when she waves them away.

Ryohei’s room is only a few doors down from hers.

In the morning, she eases out from her cocoon, taking care not to rustle either of her bedmates.

Remaining bedmates, at least, when she takes count–finding only Hana’s dark tangle of bedhead and the very tips of Kyoko’s light brown hair poking out of her own blanket cocoon.

Ryohei must have woken up already; like her, still accustomed to early morning hours of high school athletes.

But unlike before, when she actually needed to prepare for her day, being one of Vongola’s elite Guardians means she doesn’t have to prepare meals for the day or clean up the house. But she’s awake and she’s not going to be able to go back to sleep any time soon.

She takes one of the multitude of blankets, wrapping it around herself, before excusing herself from the room in silence.

In the hallway, she meets Yamamoto and feels flat-footed.

In nearly a decade of being Guardians, Tetsuki and Yamamoto have maybe had seven conversations with just the two of them. Of those, she walked away from at most three of them without hating him just a little more.

She’d say it’s bizarre, except she knows exactly why she doesn’t like him. And she’s pretty sure she knows why he doesn’t like her.

It’s fine, she supposes. Not all Guardians get along. At least they’re not like Kyouya-senpai and fucking Mukuro, better off continents apart. She and Yamamoto are functional, if not friends, and so long as everything stays professional, they’re fine.

Barefoot in pajamas is not professional.

And of course Yamamoto is dressed for the day, suit and tie and sword on his back.

It’s not as if she’s threatened–no Guardian is ever truly unarmed–but between the two of them, she honestly doesn’t know which of them would win in a fight. They’ve never had a need to test it, and for her sparring has always been a more congenial activity: if they ever fight, it’ll be for real.

“Kaiza-senpai,” Yamamoto says, smile plastered on his face.

Tetsuki doesn’t even bother to pretend with one of her own, “Yamamoto-kun.”

She doesn’t bother with grandstanding, turns and walks away, more than happy to leave it at that.

Except, apparently, Yamamoto has more to say, tone light but words biting, “Does Kusakabe-senpai know that you sleep in another man’s bed?”

She doesn’t take joy in her work. It’s a part of life that she does as efficiently as possible and sets aside when she’s done.

It’s not a job to be proud of, either. Though she won’t go as far as to say it is completely dishonorable: there are some people who should die–she is the one who disposes of the trash.

She’s good at it–through practice and skill, not some bullshit natural talent–and apparently in the ranking of hitmen she’s somewhere near the top. Assassination doesn’t exactly put a song in her heart…

… but she will straight up murder Yamamoto, Rain Guardian or no.

Her fingertips spark, green flashing in her peripheral vision; her Flames have always been activated by anger.

“Repeat that,” Tetsuki says. I dare you, her glare adds.

Yamamoto’s head tilts, stupid smile still on his face. His hand hasn’t gone to his weapon, but he’s standing, poised to move, “Does Kusakabe-senpai know that you–”

“Yes,” she interrupts, answer thrown down like a gauntlet.

He looks honestly surprised.

“My fiancé does know I sleep in my best friend’s bed at night,” she continues, blood still thrumming with rage, “I get cold at night and I like falling asleep with other people in the same bed. Tetsuya knows because I told him. Because I tell him everything.

"And I’m not, as you seem to be poorly trying to imply here, cheating on Tetsuya. Because unlike you, I’m not afraid of my fucking emotions, or sharing them with the man I love,” the words shoot out of her like bullets, and are just as effective given the look on Yamamoto’s face.

Just to petty, she finishes it off with, “Hayato-kun had a very nice date last weekend, did you know?”

It’s her turn to be ready as Yamamoto’s eyes turn into frost.

~

A/N: I, personally, love Yamamoto as a character. For some reason, I do think that means my OC would hate him. ¯_(ツ)_/¯

potpourri

six chamber revolver,
spinning, spinning,
each shining metal bullet
like raindrops against the roof.

each glance, each touch,
each conversation turned to rust.
our almost could have been,
lost to cherished anecdotes.

four chamber heart,
pumping, pumping,
red blue blood flowing
like fog over the hills.

we ran around, laughing,
breath opaque under streetlights,
iron fences, concrete, brick,
frontiers beneath our steps.

before i could speak,
my grandmother whispered,
the truths of the universe:

candy colored secrets,
silver lockets and smooth stones,
bitter paradoxes unspooled.

her fingertips carving
forgotten histories and
butterfly shapes in the clouds.

but dried flowers stole it all,
crumbled, fragile petals
displaced in my throat.

wait,
listen,
be patient.
at the ending,
there is a treasure,
that will make it worth it.
hush now and you’ll see,
it’s always been,
reflecting,
silent,
you.

Heading to my sister’s place to dog sit,
I’ve got a crockpot in my duffel bag.
It’s been at my place for months, unused,
now it’s wrapped up in my clothes.

Jury duty, back aches,
hot potato maybe plans,
this weekend I’ll meet strangers,
and build a better world.

Outsider watching,
scavenger waiting,
enjoying the secondhand heat,
of a night of passion.

jacksgreyson, Untitled (2016-12-08)

Gambling Away The Past, 6/? (2016-12-07)

They get to Sangaku Outpost with minimal disruptions–the pair of Sand shinobi they almost literally stumble over notwithstanding (for this, Shikako hangs back, unsure exactly whether the Sand-Konoha alliance is on or off or even existent at this point)–just in time for a dinner of watery okayu.

The four of them are shuffled into the line by an Akimichi with scars and wrinkles and a kind smile on her face. “It’s not much,” she says, “but it’s delicious and it’s warm–”

“–and it’s not ration bars,” finishes her Yamanaka partner. It’s better than that (though not being ration bars is a huge pro) given that there’s an array of toppings: scallions and umeboshi and dried, shredded pork. In wartime, that’s practically a feast.

He glances between the clan crest on Shikako’s uniform and Kakashi’s distinct hair color, considering, before ushering the team to the table where his Akimichi has already settled.

It brings a different kind of warmth to Shikako, knowing that even decades out of place, some things do not change.

Kakashi is taciturn as always, but Obito’s natural affability more than makes up for it along with Rin’s polite inquiries of the infirmary situation. Shikako hardly has to talk, though she comments about Ikoma-san when prompted and circles around to Sembei-obaasan after a bit.

Like her deer summons, Sembei-obaasan has adopted a more crepuscular schedule, and given her advanced age (the specific which still remains a mystery), Shikako won’t be able to meet with her until tomorrow morning.

With dinner savored as much as can be, and their welcome committee off to fulfill their roles in the outpost, the four are left to their own devices. As team leader, Kakashi goes to report with the jounin in charge, while Rin–ever dutiful–checks in with the medics and offers her services.

Which leaves Shikako alone with Obito in a peaceful place for what might very well be the first time ever.

They grin at each other, perhaps a tad awkwardly (definitely on her part, anyway) fully realizing that they have been fighting side by side for weeks without having had a conversation that didn’t somehow include the war, their teammates, or a shared appreciation for explosions.

Well, at least they have that.

It’s not as if she’s been avoiding him–not as if such a thing is really possible on a team of four–but she hasn’t exactly gone out of her way to befriend him. With Rin, it’s easy–minimal prior knowledge means there’s nothing to bias Shikako one way or another. With Kakashi, it’s easy in an entirely different way: then and now, he’s always been steady yet standoffish; she can’t push him too far, but she can trust him to be there.

With Obito? She knows entirely too much about what he might have been, and nothing at all about who he currently is.

~

A/N: Something about this series just makes me think about wintertime… or the wintery theme of my writing makes me think about this series?

DoS Prompt: Shikako/Gaara–“it didn’t make sense, but Deidara’s fixation on Shikako angered him as much (if not more than) the whole ‘trying to kill me and my village’ thing” aka the forum’s thing of Deidara and Shikako being explosion buddies (or rivals) and Gaara’s repressed/hidden feelings/crush acting up at the wrong time?

jacksgreysays:

I’m going to be honest, anon, I don’t see how I’d write this without it being massively OOC or in a completely separate AU. Because whether it’s friendship or rivalry, I can’t really imagine canon Shikako devoting more brainpower to a member of the Akatsuki beyond how to defeat them.

And, well, Deidara views explosions as art–Shikako is more utilitarian than that. She likes explosions but not inherently? They’re efficient and impressive and exciting, but she’s not going around blowing up things for the thrill of it. It’s like… a lot of people are mesmerized by bonfires, but only a small percentage of people are arsons.

And then, on top of that, my interpretation of Gaara’s character is a little incompatible to a scene of romcom-esque misunderstanding leading to jealousy at an inopportune time. Especially not post-Deidara-attacking-Suna, you know? Like, Konoha (and Shikako and Naruto in particular) is Gaara’s standard of what good people do–there’s not way he’d think that Shikako would approve of such a person who would be part of Akatsuki and attack Suna. Deidara’s fixation/admiration of Shikako doesn’t even factor, I think.

That being said: now that I’ve covered how that wouldn’t work in an in-character canon ‘verse, the basis of this prompt could lead to an interesting plot in an AU.

Off the top of my head, I can see this working pretty well in the modern royalty!AU that came up during the Ask Box Three Sentence Fic event. I mean, obviously, in this AU Shikako doesn’t know what’s going to happen next since… AU… but maybe she does know canon so she recognizes people but not their context. There’s no ninja, no chakra, so a lot of her knowledge doesn’t really apply, so maybe she gives people the benefit of the doubt.

She meets Deidara and, hey, he’s just a performance artist and that’s not inherently bad. An artist with slightly anarchist tendencies, yes, but Shikako has frequently been on the wrong side of bureaucracy that she can understand the appeal. Maybe, without the bijuu and ninja, he really is just an artist.

Hahahahaha, lol, nope. Turns out Akatsuki does exist and is an anti-monarchy terrorist group.

So you can get the Shikako and Deidara as friends/friendly rivals without it being OOC for Shikako, while still maintaining the whole… Deidara has attacked Suna and attempted to assassinate the Wind Country royal family. And probably it’d be more of a “Gaara feels betrayed because he thinks Shikako is part of Akatsuki” than a “Gaara is jealous/possessive of Shikako.”

I guess, if I were to make an outline of this fic it would also have a sprinkle of university!AU too because the timeline I have is something like:

  • Shikako is a university student and Deidara is an alumni/grad student of the same specialty/major (ie, explosions). They meet, become friends, etc.
  • During a break, Shikako goes home–Shikaku brings up the whole “the clan needs to send a representative to the coronation of the crown princess of Wind Country,” and Shikako is conscripted.
  • Coronation! Shikako and Gaara meet–paparazzi turn them into the fairy tale romance of the century.
  • Over the weeks of trying to manage the media, Shikako and Gaara do actually begin to fall in love (I’m a sucker for epistolary fics).
  • BUT THEN–Akatsuki attacks Suna/attempts to assassinate Her Royal Majesty, Temari the First! Security is tightened around the Wind royal family. Gaara is, understandably, rattled, Shikako is worried.
  • The authorities discover that Deidara is part of Akatsuki, Shikako is revealed to be a known associate.

(Unsure how the following events are organized but considering this is the emotional/dramatic climax of the non-existent movie it’d make sense for it to be a flurry of scenes but basically):

  • CONFRONTATION: Gaara, feeling betrayed, accuses Shikako of being a part of Akatsuki or possibly a patsy and endangering his family.
  • SCANDAL: The media, constantly on both of their tails considering the whole “fairy tale romance of the century” jump all over the drama.
  • FALLOUT: Akatsuki (or, specifically Deidara and Sasori), seeing the opportunity of having their actions highly publicized, kidnap both Shikako and Gaara?
  • RECONCILIATION/BADASSERY: Gaara apologizes, argument resolved, the two of them (despite being “pampered royalty/nobility”) totally break out as the authorities do a rescue mission. Media is back to being all over this “fairy tale romance of the century” except now when they say “fairy tale” they mean more the slaying dragons kind.

Yeah? 😀

image

Hell yeah! 😀

It fulfills my need for complex political ramifications and dramatic machinations of public versus private relationships and also my desire for I JUST WANT MY OTP TO FALL IN LOVE, PLEASE AND THANK YOU.

DoS Prompt: Shikako/Gaara–“it didn’t make sense, but Deidara’s fixation on Shikako angered him as much (if not more than) the whole ‘trying to kill me and my village’ thing” aka the forum’s thing of Deidara and Shikako being explosion buddies (or rivals) and Gaara’s repressed/hidden feelings/crush acting up at the wrong time?

I’m going to be honest, anon, I don’t see how I’d write this without it being massively OOC or in a completely separate AU. Because whether it’s friendship or rivalry, I can’t really imagine canon Shikako devoting more brainpower to a member of the Akatsuki beyond how to defeat them.

And, well, Deidara views explosions as art–Shikako is more utilitarian than that. She likes explosions but not inherently? They’re efficient and impressive and exciting, but she’s not going around blowing up things for the thrill of it. It’s like… a lot of people are mesmerized by bonfires, but only a small percentage of people are arsonists.

And then, on top of that, my interpretation of Gaara’s character is a little incompatible to a scene of romcom-esque misunderstanding leading to jealousy at an inopportune time. Especially not post-Deidara-attacking-Suna, you know? Like, Konoha (and Shikako and Naruto in particular) is Gaara’s standard of what good people do–there’s no way he’d think that Shikako would approve of such a person who would be part of Akatsuki and attack Suna. Deidara’s fixation/admiration of Shikako doesn’t even factor, I think.

That being said: now that I’ve covered how that wouldn’t work in an in-character canon ‘verse, the basis of this prompt could lead to an interesting plot in an AU.

Off the top of my head, I can see this working pretty well in the modern royalty!AU that came up during the Ask Box Three Sentence Fic event. I mean, obviously, in this AU Shikako doesn’t know what’s going to happen next since… AU… but maybe she does know canon so she recognizes people but not their context. There’s no ninja, no chakra, so a lot of her knowledge doesn’t really apply, so maybe she gives people the benefit of the doubt.

She meets Deidara and, hey, he’s just a performance artist and that’s not inherently bad. An artist with slightly anarchist tendencies, yes, but Shikako has frequently been on the wrong side of bureaucracy that she can understand the appeal. Maybe, without the bijuu and ninja, he really is just an artist.

Hahahahaha, lol, nope. Turns out Akatsuki does exist and is an anti-monarchy terrorist group.

So you can get the Shikako and Deidara as friends/friendly rivals without it being OOC for Shikako, while still maintaining the whole… Deidara has attacked Suna and attempted to assassinate the Wind Country royal family. And probably it’d be more of a “Gaara feels betrayed because he thinks Shikako is part of Akatsuki” than a “Gaara is jealous/possessive of Shikako.”

I guess, if I were to make an outline of this fic it would also have a sprinkle of university!AU too because the timeline I have is something like:

  • Shikako is a university student and Deidara is an alumni/grad student of the same specialty/major (ie, explosions). They meet, become friends, etc.
  • During a break, Shikako goes home–Shikaku brings up the whole “the clan needs to send a representative to the coronation of the crown princess of Wind Country,” and Shikako is conscripted.
  • Coronation! Shikako and Gaara meet–paparazzi turn them into the fairy tale romance of the century.
  • Over the weeks of trying to manage the media, Shikako and Gaara do actually begin to fall in love (I’m a sucker for epistolary fics).
  • BUT THEN–Akatsuki attacks Suna/attempts to assassinate Her Royal Majesty, Temari the First! Security is tightened around the Wind royal family. Gaara is, understandably, rattled, Shikako is worried.
  • The authorities discover that Deidara is part of Akatsuki, Shikako is revealed to be a known associate.

(Unsure how the following events are organized but considering this is the emotional/dramatic climax of the non-existent movie it’d make sense for it to be a flurry of scenes but basically):

  • CONFRONTATION: Gaara, feeling betrayed, accuses Shikako of being a part of Akatsuki or possibly a patsy and endangering his family.
  • SCANDAL: The media, constantly on both of their tails considering the whole “fairy tale romance of the century” jump all over the drama.
  • FALLOUT: Akatsuki (or, specifically Deidara and Sasori), seeing the opportunity of having their actions highly publicized, kidnap both Shikako and Gaara?
  • RECONCILIATION/BADASSERY: Gaara apologizes, argument resolved, the two of them (despite being “pampered royalty/nobility”) totally break out as the authorities do a rescue mission. Media is back to being all over this “fairy tale romance of the century” except now when they say “fairy tale” they mean more the slaying dragons kind.

Yeah? 😀

(En)Closure ficlet (2016-12-05)

Haru waits in the lobby of the Institute, sitting in the chair she’s claimed as hers and which no one has said otherwise. Despite the heating and her coat, she’s still cold–gusts of chilly air blasting every time the doors open.

The receptionist gives her commiserating glances whenever that happens, and gave her tea which she has long since drained.

She stares at the dregs, almost in a daze. What has her life come to that she willingly sits in the cold lobby of the Go Institute for over an hour? She used to do things, didn’t she? Surely her entire life hasn’t been this chair in this room in this building, an eternity of waiting surrounded by go paraphernalia interspersed with air blasting from the depths of the iciest of all hells.

Maybe she should move.

Haru stands to leave, startling the receptionist who had the glassy eyed look of someone contemplating the same monotonous, endless future of go that she had been.

The sky outside has long since gone dark, street lights and store signs bright and flashing up, pedestrians bundled up and walking, huddled, despite the lack of crowd.

It feels daunting, all of a sudden, frightening. Leave? Go outside? Where she’ll have to brave the cold all by herself?

The elevator doors open, the sound of chatter crescendoing, a group of teenagers sharing their passion.

Haru freezes, not from the temperature but from the sudden wave of embarrassment that washes over her. Lineage aside, this isn’t her space. This place isn’t for her. Their passion isn’t hers (does she even have a passion?) She is the intruder here. No, not even an intruder, a beggar loitering where she doesn’t belong.

“Kuwabara!” Hikaru calls out and another, stronger wave of shame pummels her–now she can’t even escape without notice.

Hikaru’s familiar two-toned head bobs weaves it’s way out of the group, Sai’s ghostly form following after. The other insei have paused, all of them staring at her then trying to pretend they aren’t. She’d hoped that the weird secondhand infamy from her grandfather would have worn off by now, but clearly she was underestimating the effect of the Honinbou title.

“Shindou,” she greets back, voice almost hollow. She nods a silent greeting to Sai who grins back–she’s explained that nonverbal communication is preferable to looking like a crazy person.

“What’s up? Why are you here?” Hikaru asks, “Oh, are you waiting for your gramps?” he adds, heedless of the way the other insei flinch at his irreverence.

“Ah, no,” Haru responds, almost shy, “I had a job in the area and remembered that the insei classes were letting out soon.”

The receptionist is clearly baffled at her lie.

Hikaru is more observant than people give him credit for outside of go, or perhaps she’s just being obvious, but he looks at her and nods, turns back to his insei friends and says, “Hey, maybe next time, okay guys?”

“You don’t have to-”

“Come on, Kuwabara, let’s get ramen,” Hikaru interrupts brightly, as if everything about this situation weren’t horrifically awkward; just a different flavor for this terrible day.

Sai, keen and kind in his own way, puts his spectral hands on her shoulders and guides her out the door.

With two people by her side, intangible though one of them may be, the night doesn’t seem so daunting anymore. Puffs of steam emanating from each exhale as they walk beside each other, huddled, to the ramen stand.

~

A/N: … in which a whole lot of nothing happens but at least it’s wintery.

About Sakako’s title: what about the “Tengu” (the bird-like Shinto god) if she gets into Anbu? From what I read, they appear to people as ghosts/evil spirits, or “ghosts of angry, vain, or heretical priests.” Unless it’s kinda funny-sounding, haha.

jacksgreysays:

That’s a pretty neat idea, anon, though I don’t think she’d have to wait until ANBU to get that title (and having a title as an ANBU that isn’t your animal codename might be a bit counterproductive anyway?)

Because if you consider it? Sakako (maybe) doesn’t have the hawk contract, but she does have an emergency summon and combining that with the idea that she can manifest people’s angry ghosts AND that Tengu (according to wikipedia, at least) “possess people, especially women and girls, and speak through them,” to a very superstitious person and in the right series of events she would look like a Tengu.

Especially if it’s… let’s see… a business mogul or corrupt noble who is going to deforest/mine a place that’s sacred to the local village. And the local village hired Next Gen Team Seven for a really small task (maybe help clean the shrine up on the mountain, or escort the village chief who is old up the mountain so he can clean the shrine, etc. etc.) but then business mogul / corrupt mogul shows up and does *typically upper class awful things* and obviously any Team Seven wouldn’t let this happen so they kind of stay and fight and… well.

What Team Seven doesn’t have a flare for the dramatic?

Sakako uses a genjutsu on the bad guy, brings their ghosts to life (so to speak) and maybe has to summon her dad’s hawk when she gets pushed off a cliff and it’s all just. Bad guy has had a religious experience and learned the error of his ways and, hey, the local village can actually help business person/noble how to mine/harvest whatever they were trying to get in the first place in a sustainable way without razing everything to the ground (and that brings new blood back to the village which was, admittedly, beginning to age out–no one in that village was younger than forty, so there wasn’t much future for the village).

… so maybe it’s not so much her title as it is a significant note that would be put on her bingo book page (“actually possessed by a tengu? can summon tengu and ghosts?” Poor Rock nin are so damned confused.)

image

For such a mythological nickname, I figured a dramatic incident conflated to an incredible degree would work pretty well. With Shikako’s Shikabane-hime, it was after her badass fight against Gaara–one time to make a massive first impression connected to an intimidating but easy to remember moniker.

Tengu are more connected to birds of prey than stags, so her connection to hawks via Sasuke is probably more relevant than her Nara heritage. And it’s believed that the long nose is reminiscent of a beak so a bird ANBU mask would be enough, I think, and I’m not sure ANBU masks are overly detailed?

I kind of like the idea that she begins collecting fearsome nicknames early on like her mum–ANBU has a bit of a sense of anonymity that I’m not sure will transfer over well? Like, when Kakashi was ANBU he was well-known as an elite ANBU and all the enemies knew to beware of the ANBU with a wolf/hound mask, right? But I don’t think they’d go as far as to call him something else like Raikou. They’d just call him Wolf. Likewise, they’d probably just call ANBU Sakako Hawk or Falcon or whatever mask she’s assigned.

But I guess a way that could work is if… hm… if Sakako inherits Sasuke’s ANBU mask which is Hawk/Falcon, she’d be stepping into this role with a lengthy and no doubt prolific career attached. And enemies are already fearful of Hawk/Falcon but they’ve notice that Hawk/Falcon’s fighting style/height/whatever has changed slightly and this is a new Hawk/Falcon. So to differentiate the two they call the first one (Sasuke) “Garuda Hawk” and the second one (Sakako) “Tengu Hawk” and then later just drop the Hawk part.

Or, well, maybe Sasuke doesn’t so much pass down his mask as he does part-time ANBU work and their masks are very similar… so still the same reasoning just now the enemies aren’t always sure which Hawk they’re dealing with (surprise, it’s both of them this time! Badass father-daughter ANBU bonding!)

About Sakako’s title: what about the “Tengu” (the bird-like Shinto god) if she gets into Anbu? From what I read, they appear to people as ghosts/evil spirits, or “ghosts of angry, vain, or heretical priests.” Unless it’s kinda funny-sounding, haha.

That’s a pretty neat idea, anon, though I don’t think she’d have to wait until ANBU to get that title (and having a title as an ANBU that isn’t your animal codename might be a bit counterproductive anyway?)

Because if you consider it? Sakako (maybe) doesn’t have the hawk contract, but she does have an emergency summon and combining that with the idea that she can manifest people’s angry ghosts AND that Tengu (according to wikipedia, at least) “possess people, especially women and girls, and speak through them,” to a very superstitious person and in the right series of events she would look like a Tengu.

Especially if it’s… let’s see… a business mogul or corrupt noble who is going to deforest/mine a place that’s sacred to the local village. And the local village hired Next Gen Team Seven for a really small task (maybe help clean the shrine up on the mountain, or escort the village chief who is old up the mountain so he can clean the shrine, etc. etc.) but then business mogul / corrupt mogul shows up and does *typically upper class awful things* and obviously any Team Seven wouldn’t let this happen so they kind of stay and fight and… well.

What Team Seven doesn’t have a flare for the dramatic?

Sakako uses a genjutsu on the bad guy, brings their ghosts to life (so to speak) and maybe has to summon her dad’s hawk when she gets pushed off a cliff and it’s all just. Bad guy has had a religious experience and learned the error of his ways and, hey, the local village can actually help business person/noble how to mine/harvest whatever they were trying to get in the first place in a sustainable way without razing everything to the ground (and that brings new blood back to the village which was, admittedly, beginning to age out–no one in that village was younger than forty, so there wasn’t much future for the village).

… so maybe it’s not so much her title as it is a significant note that would be put on her bingo book page (“actually possessed by a tengu? can summon tengu and ghosts?” Poor Rock nin are so damned confused.)

I’ve been on a bit of a modern-AU kick recently, and I’ve been thinking about a really cool Shikako in your Wanderlust!AU uploading photos of her journey on a blog or something. (It doesn’t even have to be a modern AU, since advancement in Naruto’s technology skyrockets in peacetime)

jacksgreysays:

jacksgreysays:

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Ahahahaha, I can totally imagine that with the twins:

“You went inside a volcano?!”

“In my defense, it was dormant at first.”

“AT FIRST?!”

Or,

“How did you get this shot of a giant shark?”

“… you probably don’t want to know.”

I also figure she really embodies Indiana Jones-but-real in her show:

“Let’s talk about the interesting agricultural based fuinjutsu of the ancient Gelel Empire!”

Turns into,

“Oh gods, why is there this shrine?

Why are there traps?

What do you mean a CURSE?”

I also, also think there’s probably one episode where it’s like:

jacksgreysays:

Ooh! Okay, so part of me feels like any weird technological gaps that canon has could easily be handwaved away in DoS specifically because they’re already on track for that and also Shikako just expects more from tech that even if she’s not the one inventing/improving various tech she’s at the least hinting at something like–hey wouldn’t it be neat if this phone was also a camera? Or, have you considered a wireless network?–but that still will take about a decade or two for the Naruto world to get to modern level.

I imagine, at first, since cameras have been noted to be like clunky for elites and still film based, that she would have to either pay ridiculous amounts of money OR justify why she needs one. The easiest reason I can think of is to further her fuinjutsu research. So at first its very official, almost like police officers with using their weapon: she has a set amount of film and has to keep account of every roll that she uses.

So most of her photos are very cut and dry “see Figure 3” in academic papers on the remains of the Gelel shrine or something like that. But as a sort of protest/she has a few more cells left over she’ll take some pictures of some really spectacular scenery: the view of the galaxy (are they in the Milky Way?) in the desert, sunrise on the horizon from Uzushio, etc etc.

Someone in Intel (maybe Shiho?) is in charge of directing her reports to the right places, but since the landscapes aren’t actually for intel, she just collects it (with proper labelling because Shiho is a proud paperwork nin) until Shikako returns to Konoha for a bit.

And it’s like: oh, I’ve collected your landscapes, Shikako! And there’s just this huge album of them neatly arranged and labelled that Shikako doesn’t actively remember taking. Like, she remembers taking these pictures but she didn’t realize how many of them there were that had accumulated.

And maybe this exchange is during a kunoichi meetings, so the other ladies see it and are all oohing and aahing over it (because no one really vacations as a shinobi. They travel for missions or for training, but hardly ever just to sightsee) so it’s greatly appreciated.

And then someone (probably Ino, because the Yamanaka own a publishing company on behalf of the Ino-Shika-Cho clans) has the idea to publish it. And it is REALLY well-received by the civilian population because they get to travel for sightseeing purposes even less frequently than shinobi. (And there are some views that literally no person has seen in decades or centuries because Uzushio has been abandoned or it’s a place that’s too dangerous with little return). So it’s really just accidental, I think, this following that Shikako garners from photography.

Then, as technology advances so too does her camera (and the Nara clan probably sponsors a really nice one both for the fuinjutsu research and the landscapes) and then the medium that its shared.

Copycats follow (because its an easy way for a shinobi to make money, and no doubt Cloud nin would be all about risking their lives for the perfect shot) but by the time blogging is around, Shikako herself has a following and that in itself has accidentally become a bit like “Man vs. Wild” even though she was originally aiming more for a “How It’s Made” or “Wonders of the Ancient World” or one of the other less action-packed National Geographic/Discovery Channel shows.

Whoops. (The Director of the Princess Fuun movies is probably involved somehow)

“This seal says something about ‘caging the dragon’ but considering chakra pathways used to be called dragon’s veins that’s probably just a metaphorical phrase. Most likely they mean harnessing a point of high natural chakra emissions.”

Twenty minutes later,

“NOT METAPHORICAL. I REPEAT, NOT A METAPHOR!”

Kankurou is her camera person just the once (he refuses forever after that) but it’s one of the favorite episodes despite the low-res video and frequent shaky cam and that static from corrupted data (this is pretty early on in the series, before heavy duty tech). After that, regardless if she’s the adoptive Mother of the NGSS, it’s poor Shinki who gets conscripted as her camera person.

Then again, I feel like The Director probably trained a group of similarly-minded camera people who would be not just excited, but honored to be official camera person of “Konoha Nara versus *insert adventure setting here*”

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I feel like the general culture of Cloud would be more embracing of the adrenaline junkie styles despite her being from Konoha, but I also do wonder if the Rock shinobi develop a Mythbusters/Snopes equivalent purely to spite Shikako’s blog, but then it turns out everything is legit and they’re just like… what the hell? How?

There’s definitely one episode that has to take place in Land of Earth or Land of Stone (because the Old Western setting would be hilariously entertaining) and Rock shinobi are trying to stealth prove that Shikako’s show is a hoax within the episode, but nope. AAAAAALLLLL REAL.

Gaara is only in the show twice for collectively less than five minutes and possibly not even in the same scenes as Shikako? Or, like, he’s way in the peripheral or he doesn’t even interact with Shikako directly? But all the shippers are just over-analyzing: “DID YOU SEE THE WAY THEY LOOKED AT EACH OTHER?” or “THE WAY HE PAUSED AFTER HE SAID HER NAME, OTP!”

Depending on how much Shikako keeps a hand on the pulse of her fandom, she might know but she’ll definitely be confused.