https://jacksgreysays.tumblr.com/post/171209189371/audio_player_iframe/jacksgreysays/tumblr_p4h4lg4z3l1u7pteb?audio_file=https%3A%2F%2Fa.tumblr.com%2Ftumblr_p4h4lg4z3l1u7ptebo1.mp3

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The Ballad of the Traitor’s Wife by Silver Queen

I woke up in the morning and saw the mountain there
It was a common sight that drove me to despair,
If I tip my head [right] back, and say [my] prayers to the sky,
If I reach into the blue[ness], will I soon learn [how] to fly?

To the right there is a forest, deep and dark and feared,
To the left there is an ocean, a crossing none have dared,
Behind me holds no safety, not for one such as I,
Either to the mountain, I must go, or I shall surely die,

I could have been a soldier, or a dancer, or a tree,
I could have been farmer or a merchant or a queen,
Instead I married a man, who turned out to be a thief
Who died and left me nothing but betrayal and helpless grief

If I must, I’ll be an inchworm, if I must I’ll be a snake
But you won’t [stop me/keep me from] moving, when there is so much at stake.
So I became a killer, a murderer [and/a] thief,
No choice [except/but] the Shinobi’s life for me,

~

So, remember those posts in which I tried to fit Silver Queen’s lyrics to music and could only convey the idea via my own mediocre singing voice? Well, now I have mediocre sheet music creation instead!

I was very repetitive with the melody–especially so with this “Country Version”–and so this is literally every two lines of the song ad nauseum. I also did the other two versions so those are queued up as well because I’m a little low on prompts to respond to.

Check out the Ask Box Would You Ever!

Untitled (2018-02-22)

The doorbell chimes and Jane, closest to the front entrance, calls out, “I’ll get it!”

She can hear Will’s acknowledgement in response over the carols on the radio, the sound of her brothers arguing about the tree and Bran’s amused laughter.

It’s been years since all of them have been together like this; she is so glad they managed to make it work this time.

Jane opens the door, curling away from the gust of cold wind blowing in, instinctively, she draws her cardigan closer though it is only thin cotton and not much protection.

The woman at the door is equally poorly dressed for the weather–not even a scarf!–but unlike Jane, she hardly seems to mind. As if she were immune to the cold, aware but uncaring of the weather.

For a moment they stare at each other.

“Hello?” Jane asks, which seems to shake the woman out of her stupor.

“My apologies,” the woman says, accent flat and abrupt. American, then, how unusual. “Is Will Stanton available?”

Jane blinks before flushing, embarrassed. Of course. This is Will’s place, after all, of course someone ringing the doorbell would be looking for him at his own flat. And then, she flushes harder.

“Please, come in. Yes, he’s–I’ll just go get him, but please, come in. It’s cold out. Sorry, I’ve been terribly rude, I should have invited you in sooner.”

“Thank you,” the woman murmurs, before stepping inside. Jane shuts the door, grateful to bask in the warmth. The woman does not do the same, as if outside and inside were indistinguishable.

“Jane?” says Will, heading their way before she can go fetch him, “Who’s at the–ah,” he cuts himself off upon seeing the woman.

Something about the air changes, and it has nothing to do with the temperature.

“Maybe you should head over to the others,” Will says to Jane without taking his eyes off the woman, “Barney and Simon were one ornament away from a tussle and we both know Bran certainly isn’t going to stop them.”

Jane, confused and a little relieved, just nods and goes.

She looks back though; it almost looks like, instead of just one stranger and her childhood friend, there were two.

///

“My apologies for intruding on the festivities, Old One,” the woman who is not just a woman says to Will. Then she stops Time.

He straightens reflexively, ready for an attack.

None come.

“It must be important,” he responds. Everything about his life as an Old One is important.

The woman nods, “Important, yes, but not urgent.” Then she seems to change, diminish almost, as she adds, sheepishly, “Unfortunately, I have a flight in three hours and have been busy at a conference up until now.”

The Will who is not an Old One understands–academia is not known for excellent time management, either.

The woman reverts to her inhuman demeanor, “It was also harder to find you, earlier, without the other four Light ones.”

Will can feel a glare form on his face, mouth tight, brows furrowing, “They’re human.”

“And yet,” the woman says simply. After a beat, she shrugs. “A warning, though this is not what I am here for. For all that they are human, they… emanate Light. I do not know if you Old Ones still have enemies about, but they will be able to find your friends easily enough if you do not give them better protection.” She reaches into her bag and pulls out a small book which she hands over to him. “A gift, for the holiday, and to foster amity between us.”

He senses power, but nothing Dark, and so he takes it: a book of wards. Nothing like the Book of Gramarye, of course, but useful in its own way.

“The one who opened the door might be able to use it,” the woman suggests as he tucks it away for now.

The idea of putting Jane–or any of his friends–in danger makes him brusque, “What is it that you are here for? You are not of the Dark, nor are you an Old One. What are you?”

This time it is the woman’s turn to furrow her brows, “I was human once, too,” she says, nearly offended. “I don’t know if what I am has a name, but I have been called the Mountain Who Speaks.”

A little bit of destiny rings in the title. Will nods and understands it as truth.

“You are far from your land, Mountain.”

“That is what I am here for,” says the Mountain Who Speaks, “Something will happen in my land years–decades, maybe even centuries–from now.”

Important, but not urgent.

“And you come seeking an alliance,” Will finishes.

“Yes,” agrees the Mountain Who Speaks, “It will not be the grand battle that you had, for in my land there is no Light and Dark, but there will be trouble, and I would appreciate aid in keeping it contained.”

The first part is confusing, but the last is what alarms him, “You foresee it spreading?”

The Mountain’s expression becomes one of unimpressed skepticism, “I Speak,” she says bluntly, “I don’t See.”

It is Will’s turn to be sheepish. “Ah, of course.” Even amongst Old Ones, Sight was not a common power.

After a moment of understanding, the Mountain says, finally, “I will let you return to your party. Again, my apologies for interrupting. This was merely a courtesy call. I will leave you to make your decision, but I hope to speak with you more in the future.”

She unstops Time, the sounds of his friends–safe and happy and completely unaware of the otherworldly, supernatural alliance being brokered in the cramped entryway of Will’s flat.

Will opens the door so she can leave, neither of them flinching at the cold air that hits them. “Safe travels,” he says, not as an Old One but as regular Will Stanton.

“Merry Christmas,” she says back, not as the Mountain Who Speaks, but as the human she once was.

Which reminds him: “What is your name?” he asks belatedly and with no small amount of embarrassment.

The Mountain smiles, “I am Ellen Kaiza.”

~

A/N: As I said, I’ve been reading a lot of Dark is Rising fic, and a lot of them are set at Christmas. So even though it’s February, here’s… this thing.

And I guess sort of a response to this anon’s prompt for more of Doctor Ellen Kaiza’s backstory? I mean, I’m not saying this is canon for her, but given Will Stanton is also a wise, magical immortal being it resonates pretty nicely.

This is after she’s become immortal, and definitely after meeting Leanne, but still fairly early in her immortality. Within the lifetime of what a normal human Ellen Kaiza would live, basically. 

I don’t know where her title came from, but I quite like it. It’s one of her earliest titles. I’m thinking she got it from the werewolf packs, maybe.

(… hrm, should I make a character tag for her? edit: okay, i made one for her “ellen tsukiko kaiza”)

Check out the Ask Box Would You Ever!

Would you ever write a story where the conflict is a bureaucratic fuck-up?

Hm… this one is also a little vague, but not as complex as the last one.

But I think it does also depend on what you mean by the conflict being a bureaucratic fuck-up?

Like… hm… for example: I recently read a fic in which a lower ranked SHIELD agent was in charge of trying to “officially” bring Agent Coulson “back to life.” In the sense that, like most large scale government entities, the amount of paperwork and hoop jumping in order to do something is just ludicrous, and so this character had to go to different departments, deal with typos that threw everything off, file things in triplicate, etc. etc. it was a very entertaining read… it was… ah, there it is: Permit A38 by old_chatterhand

In a somewhat similar vein, I also greatly enjoy Restoration by thehoyden which is a xxHoLic fic about Watanuki having to re-enter society after several years of being the Shop Keeper. And I’ve been rereading a lot of Dark is Rising (by Susan Cooper) fic about Will being immortal and all of his friends aging and dying and leaving him alone its all very sad and lovely.

So I guess what I’m saying is, I would maybe do something that’s less a meltdown/crisis of a bureaucratic fuck-up and more of a sleuthing/journey of discovery in which someone finds some oddities in a file and tries to track it down only to discover that the truth is far more bizarre than even that mistaken form could have expressed.

Kind of like this ficlet

Off the top of my head I have two original fiction series that I think this would work for pretty easily:

1) Counterclockwise. Leanne gets arrested by future police for crimes that she hasn’t yet committed–or, possibly, isn’t intending to commit because unsanctioned time travel might in fact be illegal in the future but since she’s the first time traveller and it’s largely against her will does that count as her committing a crime?

Anyways, there’s one officer in particular that is assigned to her case and in trying to apprehend her, he discovers the secret behind her time traveling (that is, the fact that she can’t even control it yet, but also that she’s far more powerful than any time traveller should be) and maybe the secret behind the time traveler police force. Which is–I mean, spoilers?–that Bastian created the entire force specifically to catch Leanne.

AND

2) Kira Val the Psychopomp series. (I might change the character’s name, but that’s just what everything is tagged as for ease of searching). It would be much shorter and thus more doable than the first one. Basically a school administrator or the counselor or someone tries to track down Kira’s records–since she’s new to the Bellview school district, they don’t have it on file like the rest of their students–and at first it’s difficult just because Kira came from a school within Cadmium City but then when the administrator actually gets her original file it says that Kira is dead. Which. She is kind of…

And it would end with she is called in to discuss this–maybe her aunt Nyx comes along as her guardian–and basically this poor administrator realizes that there’s more to the world than what they originally thought. And I just want it to end like this:

“Forget about this and just go home,” you say, a firm but gentle suggestion, “Spend time with your husband.” He won’t have much time left, you don’t add.

“You don’t have to worry about me,” you conclude, getting to your feet, “But… thank you.”

~

Check out the Ask Box Would You Ever!

Well, I was sort of thinking of the Kyber Crystal and the sword as sort of, well, there’s a semi-tradition of seeing them as almost alive, in-and-of-themselves, of seeing sailing ships, for example, as having personhood. I guess, if I were to narrow it down more, the question would be better worded like so: Would you ever write a story from a very non-human perspective?

Ooooh, okay. So it’s not a human reborn as a non-human thing, I think that’s where I got confused.

It’s definitely a fascinating concept, anon. I like the idea of sentience not necessarily meaning sapience and how there are perspectives in the world beyond human.

Hm… I think if I were to ever write such a story it’d probably be from the POV of a tree, a space ship, or a place–though the last one is specifically fanfiction and more specifically Konoha from Naruto or Vulcan from Star Trek–someplace that gets energy from the people that live there. Either that or a cool family heirloom–a weapon maybe?–that follows its owners down the bloodline/succession.

But I don’t think any of them would be very long. Or, rather, they’d be only a part of another story that is primarily human–or sapient, if we’re talking sci-fi/fantasy.

Hm… here’s something?

~

Watch. Wait. Ever present, eternal.

Today I am created, but I have always existed.

I am infinite and reaching.

The one who will wield me does not yet live. She is the one who designed me.

I will wait. I am already with her.

///

The woman who makes me does not truly understand what it is she is creating.

She has seen me before, but does not know the power that lies within. She thinks me only as metal and glass.

My face is shining, my hands are steady. The gears within my body run smoothly.

I am well crafted. Were I able to speak, I would tell her so. But I cannot.

The woman who makes me will not wield me, but she is skilled and her hands are sure.

My wielder will have the same sure hands.

///

There is a chain.

There is a box lined with velvet.

There is a cold, locked room deep underground.

Silence.

I need not be patient.

She will come for me soon.

///

The woman who made me brings with her a boy. Her child.

Neither of them are my wielders.

But they come to the cold, locked room deep underground.

They open the box line with velvet.

They look upon me and the chain that binds me.

The woman who made me tells her son that I am a secret.

A legacy.

To be passed down until the time is right.

If I could laugh, I would.

///

Generations pass.

The line of the woman who made me visit only to show me to their children, onward and onward.

None of them are my wielder.

Soon.

///

Once, a group of masked thieves enter the locked room deep underground.

They begin to open the other boxes, Empty riches into their bags.

Useless material things.

They are stopped before they reach me.

My wielder is there. She glances my way.

I do not skip a beat.

She looks away.

No need. I am already with her.

///

A woman brings her son to see me.

This boy will die. Not in the way that all of their line die–as a simple matter of age and time. This boy will be killed.

My wielder will be the one to kill him.

Soon.

///

The boy who will be killed by my wielder has grown into a man. He brings with him his own child, a daughter.

My wielder.

But not yet.

The man will die. My wielder will come for me. Then she will kill him.

It is too early.

///

I have already told you what I am.

~

A/N: Surprise! It’s Leanne Peridot’s pocket watch from Counterclockwise.

… so I realize now that trying to do the POV of an inanimate object is probably not helped when said object is capable of time travel/is the concept of infinite time. Whoops.

But it was an interesting little exercise, anon, so maybe I’ll try to incorporate more non-sapient perspectives in my work from now on 🙂

Check out the Ask Box Would You Ever!

Would you ever write a story with a character reborn as a nonliving object, like a Kyber Crystal from the Star Wars Universe, or … a sword or something?

Hm… probably no?

I mean, I have written some snippets of a story in which a person is reborn as non-human–B*tch Please has my SI!OC reborn as Akamaru’s littermate– but not to a serious level.

I don’t think I would know how to go about a non-living object.

Well, okay, mechanics aside are we talking about an SI!OC reborn as a nonliving object or a character from that ‘verse reborn as a nonliving object (robots/androids not included, of course).

Because there’s a difference between, using your example, someone from our world being reborn as a kyber crystal versus Obi-Wan Kenobi being reborn as a kyber crystal.

And then, on top of that, are they restricted to just being the heart of a lightsaber or can they also project a vision of themselves a la Force ghosts so as to interact with whoever wields them?

I think it’d be interesting to write as a one shot–or as a side story within a larger ‘verse–but not as a full story of its own… and probably not in the Star Wars universe, though it works quite well as an example.

… sorry this is so short, anon. Feel free to send in another prompt–or an add on to this one?

~

Check out the Ask Box Would You Ever!

Would u ever write yoshino and sasuke interacting? Weather its canon dos or an au his ever so slow intergation into the nara fam is smth about alot

Yeeeeees. Yes I would.

I think really the only hesitation is that I’m not sure, as you mentioned, which ‘verse it should be in?

They have/would have a very interesting dynamic given that Sasuke deliberately curated his existence around his clan (or lack thereof) while Yoshino is a non-clan kunoichi married into one. It’s very different backgrounds. But they are united in their love/concern for Shikako which I imagine helps cross that bridge. And I think because of that, Yoshino helps Sasuke be himself as a person and not just the heir to a clan of madness and murder.

Which–that boy very much needs any help he can get.

That being said, here’s some small ficlets in various ‘verses because… funsies.

~

(DoS canon compliant)

Yoshino watches the boy, watches as he tries–so hesitant, so clumsy–to play along with her daughter’s whimsical mood. It is a bittersweet feeling, more bitter than sweet to be fair, that burbles up within her.

She smiles and tries to make sure there is no sadness on her face.

A part of her is ashamed. The Last Uchiha is not a person: the Last Uchiha is a symbol, an ideal, a risk in the making. The Last Uchiha certainly isn’t a child who doesn’t remember what it’s like to have family dinners. The Last Uchiha isn’t a younger brother who never learned to stand up for himself. The Last Uchiha couldn’t be this boy in her house so broken and scared but trying, trying so hard, in need of just one person to look beyond that title and see the truth.

There was no Last Uchiha, there was only Sasuke, struggling under the burden of his name.

Yoshino draws closer, places a hand on Shikako’s shoulder–a close yet not close enough proxy for the comforting hug she wants to give to her daughter’s teammate instead. Sasuke still startles at affection, though at least he no longer looks as hunted as used to in the beginning.

“Will you be staying over for dinner?” Yoshino asks, no pressure one way or the other. Still, he dithers, and so she has to add, “I bought some wonderful fresh tomatoes at the market.”

Neither her husband or any of her children have any strong feelings for tomatoes.

After another considering beat, Sasuke nods.

///

(Somewhere Down Road One)

Something about the situation still sits uneasily with Yoshino, even though she’s received assurances from everyone involved.

Fugaku and Mikoto are kinder than she had expected–than she had feared–polite nearly to the point of stiffness, but just as shocked by the proposal as she and Shikaku had been. Originally they were suspicious–perhaps they had heard about Shikako’s hypersensitivity–but soon enough they became not only accepting but excited… relieved?… at the idea.

Shikaku, she knows, only wants what is best for their daughter. He has no doubt run through all the possible outcomes and decided that if this is something Shikako wants–and it is, even after the tediousness of the discussions, something their daughter wants–then of course he will do his best to arrange this engagement.

Never mind their own rocky history with such things. Never mind that Shikako is still a child and yet devoted to this plan with a steely determination that has nothing to do with a newly blossoming crush.

Sasuke is a good boy, sweet and intelligent. He may one day be a good husband; Yoshino would understand her daughter having a crush on him. But Sasuke as a person barely seems to factor into the equation at all.

“Hello, Yoshino-san,” Sasuke greets her when she opens the door. She guides him inside and prepares some tea while he waits for Shikako. He is shy and a little nervous and halfway in love with her daughter already.

“Take care of your heart,” Yoshino says, warns, but does not ward off: she may be fond of Sasuke but Shikako is her daughter.

“Not Shikako’s?” Sasuke asks, innocently curious.

She shakes her head. No, it’s not her heart that Yoshino is worried about.

///

(Fire Fallow Cultivation)

“They’re beautiful, aren’t they?” Yoshino-san says, and Sasuke glances up at her confused.

They are sitting at Shikako’s hospital bedside–a distressingly frequent settings for them–and until this moment Yoshino-san has been silent. Even during Tsunade-sama’s explanation, right before the Hokage left to deal with–in her words–literally any other patient.

“You don’t think they’re beautiful?” Yoshino-san asks, prompting Sasuke into responding lest he be considered rude.

“Think what is beautiful?”

Yoshino-san eyes him carefully and Sasuke has to remember to keep breathing: it’s far from hostile, but the assessing gaze is different than what he’s used to from Shikako. Similar to Shikamaru’s pointed analysis.

“Tsunade-sama’s wings, of course,” Yoshino-san says simply, as if she weren’t turning his world on its ear.

During his occasional research he was never able to find even a reference to the wings–for her to just casually mention them…

“You can see them, too?”

… he’s not alone.

~

Check out the Ask Box Would You Ever!

Would you ever write more of Doctor Kaiza’s backstory or how she became so cold-hearted?

Hm… this is kind of a no and kind of a maybe, anon, because I suppose it depends on what you mean?

In the greater timeline of my original fiction universe roughly centered around Cadmium City (which I hope isn’t a real place, if so my bad?) Doctor Ellen Kaiza’s backstory is deliberately meant to be a mystery.

Actually, this kind of relates to this untitled ficlet in the sense that Zelia had three options for an apprentice. Ellen Kaiza had the temperament of a Grey Witch but her power levels couldn’t really compare to the other two candidates.

This is far in the past for the rest of the “current” Cadmium City ficlets–at least a few centuries–and knowing what happened to Ellen Kaiza during this time would be A) a lot of stuff seeing as how literal centuries, B) not as compelling as the “current” Cadmium City ficlets, and C) would detract from her air of experienced, all knowing wisdom and mystique.

I mean, don’t get me wrong anon, those ficlets were fun to write and did help me form a better understanding of both the character and the world as if formed around her, but I think at most that’s all I’d ever want to do with her as the main character: small snippets of her over the long stretch of time, her looking back on events from a stretch of decades or centuries.

That being said, while I don’t think I’ll ever devote an entire series to her as the main character, she is in many other series as said wise mystic and I think the passing of time between those other series is a good a way to get outside POVs of her immortal life. And most likely she will show up frequently in Counterclockwise given Leanne can travel through time and Kaiza is one of the few constants in her world.

So… maybe, anon? Is there something a little more specific you’d like to see of Ellen Kaiza–let me know, I’m always interested in exploring more of the original fiction world.

~

Check out the Ask Box Would You Ever!

Hello there! I stumbled upon one of your shikako nara stories(which was pretty compelling. And dark. And tasty.) Would you terribly mind shedding some light on this character for a complete novice?

Oh! Hello! Wow, usually it’s the other way around–people know Shikako Nara and then find me and my recursive fic–so this is cool! I’m pretty pleased that those recursive ficlets are compelling enough to read through even without knowing who Shikako is, so thank you!

Shikako Nara is the main character of Silver Queen’s “Dreaming of Sunshine,” an SI!OC Naruto fic in which the author is Shikamaru Nara’s twin sister. You can read it on FF.net here–or if you’re more the podfic type, you can listen to it here on MixCloud. I also help run the tumblr page for it, @dosbysilverqueen, which includes a multitude of resources for fans.

Hope that helped and welcome to the fandom! 🙂

Let’s play Writer’s Would You Ever

jacksgreysays:

lockandk3yfiction:

Send me an ask that says “Would you ever write…” and continue the sentence.

I’ll respond with yes or no and give an explanation as to why if I want to.

Another ask box event!

If I respond with yes, I’ll do my best to write a ficlet or, at the very least, a brainstorm.

If I respond with no, I’ll explain why and depending on the ask try to articulate what would need to be different in order to get it to a yes and then maybe write a brainstorm for that modified version.

Let’s do this!

Missed Post (2018-02-17)

Ahhhhh, sorry about that, midnight just passed me by completely.

Although, some more would you evers would be appreciated.