(Sorry this took so long, anon, I saw your ask and then spent the entire day at work pondering it and now there’s a huge rant so… enjoy?)
I’m most fond of them BroTP’ing it up as well, anon. Their dynamic is very… hm… buddy cop? Well, no, it’s more like…
I don’t know, anon. Whatever their dynamic is I love it as is, and while I prefer platonic friendship to romance I guess the thought experiment of a ship would be interesting to do, so let’s go?
Shikako/Kankurou as a ship outside of setting or potential fic brainstorming, I think…
For some reason my thought process goes like:
Wouldn’t a Shikako/Kankurou ship just be like the Shikako/Kiba ship (pre-Land of the Moon arc)?
NO!
Why not?
Well…
On the surface, I suppose the Shikako and Kankurou dynamic and the Shikako and Kiba dynamic do look pretty similar. There’s witty banter and respectful acknowledgement of badassery tempered with mutual teasing… but it’s the difference between someone seeing a heretofore unseen side of a childhood friend versus learning a new acquaintance without any prior bias.
I feel like Land of the Moon and Lost Child arcs really convey this. Like, Kiba is not only surprised but almost perturbed by Shikako’s more recent actions. They legit have a philosophical discussion about what the right thing to do is and you can almost feel the way Kiba has to revise his opinions of Shikako. No longer is she the girl who was the tree for their school play, now she’s the girl who will single-handedly reverse a coup.
Whereas, if Kankurou were to witness the same thing he wouldn’t find it strange at all. That’s just part of who she is, as far as he’s concerned. If anything, that would add to what he knows about her, might even help explain some her idiosyncrasies. Like. All powerful shinobi have quirks and while no doubt Shikako tries to embody polite normal Konoha girl, I’m pretty sure everyone who talks to her more than once realizes how weird she is–and I say this in the kindest, fondest way possible–that girl is a weirdo.
Knowing what Shikako’s oh shit/fuck you button is is probably a huge relief to Kankurou because he knows it exists–she blew off a guy’s head!–and at least it’s something that he can avoid. Contrast with Kiba who, having grown up knowing her as Shikamaru’s shy sister, probably never even thought she’d have one.
Anyway. That’s my instinctive answer to that.
Thinking more on it, especially on Shikako’s end, I do think she appreciates that non-expectant aspect of their relationship. She doesn’t have to censor herself around Kankurou, weirdly enough. With fellow Konohans, they’ve known her forever; she’s always been around to help them and be a listening ear (it’s one of the many reasons she’s been so stressed lately) and it’s something she feels obligated to maintain.
Even with Gaara she feels obligated to generate an aura of compassion, as a sort of teach by example thing, while with Temari she thinks she needs to maintain that position of strength she established early on.
Kankurou? She can be snarky. She can have stage fright. When she tries to play the polite professional, he snorts and prods at her to just be herself. Yeah, he’ll challenge her to a theater battle, but he’ll be the first one to clap for her. Challenger and hype man both, constantly and simultaneously impressed and amused and I think there’s something comfortable yet exciting about a relationship like that.
Now as for how I would write a Shikako/Kankurou ship? Hm… in a canon DoS setting this would be another one of those that happens post canon events. There are only a few ships that I can see even possibly happening pre-canon (Gaara, Sasuke, Kiba, Ino) but even those would have to be carefully guided and cultivated toward that.
Erm, so yeah. Shikako/Kankurou would be post-canon events. It’d probably be… for some reason, my brain thinks it should NOT just be a tweaked version of Dreaming of S(omething). I think I’d want to do more of a… the semi-canon AU in which Shikako accidentally becomes a TV star
Well, basically, it’s while she’s doing research on the ruins of the Gelel shrine except with less Indiana Jones style shenanigans? I just want it to be like she’s on a sabbatical in Sand and Kankurou is playing tour guide and he’s helping her through her PTSD and what-do-I-do-now-that-my-life-goal-to-survive-Akatsuki-has-been-completed quarter life crisis but he’s doing so either unintentionally or, more likely, purposefully but subtly.
They both kind of explore who they are outside of being shinobi–he’s a huge Theater Nerd and she’s a huge Regular Nerd and they tease each other for it but they also accept each other and it’s fun and relaxing. (I’m having feels over the idea of these teenaged walking weapons of mass destruction striving to be well adjusted human beings.)
In a more definitively AU setting?
…
… OH! A Parks & Rec AU where Konoha people are the Department of Parks and Recreation and Suna people are a different department in the same ambiguously massive city. Maybe they’re something like the Department of Cultural Affairs?
Anyway, that means Konoha are all still tree-huggers as per canon, and there’s a bit of competition between the two groups, but there’s also future collaborations (open air theaters anyone? The equivalent of Shakespeare in the Park?) And that means the other villages can also be mentioned and hated other departments. (WHICH VILLAGE IS THE DMV?)
Kakashi as Ron Swanson who doesn’t do any work because authority is there to laugh at not respect. Shikako as Leslie Knope who only sleeps three hours a day because she has SO MANY PROJECT IDEAS. Ino as Donna Meagle who runs a far more profitable real estate agency but still works in the department to hang out with her friends. Um, I can’t think of the others right now but it’s not like it has to be a one to one swapping crossover anyway.
At first their departments are antagonistic–fighting over budget, stealing each other’s supply of paper clips, the ongoing war to prank the other department which PISSES THE CUSTODIANS OFF SO MUCH. And then they begin to work together–tentative collaboration on cultural events held in parks, etc–and then that becomes alliance against the other departments, etc. etc.
I suppose this AU setting doesn’t necessarily need to be Shikako/Kankurou, but I do think that this AU would fit that particular ship quite well 😀
*gasp* HE WOULD BE THE DMV. -_-
And all those poor ROOT members can’t even comprehend the idea of having fun. At work? Or having friends. AT WORK? They don’t have names, just numbers corresponding to their windows. T_T
Sai gets forcibly adopted into the Parks & Rec Department.
Yessssss… Rock is definitely Department of Planning and Zoning, still don’t know what Cloud might be, but I have the feeling that Mist is the Department of Health and Vital Records. Which sounds impressive but it’s emphasis on Records and the entire system is a shambles (a deliberate last fuck you from the Uzushio group who had been laid off maybe?) or they’re stuck with the unenviable task of digitizing EVERYTHING which is just the worst thing ever.
(Sorry this took so long, anon, I saw your ask and then spent the entire day at work pondering it and now there’s a huge rant so… enjoy?)
I’m most fond of them BroTP’ing it up as well, anon. Their dynamic is very… hm… buddy cop? Well, no, it’s more like…
I don’t know, anon. Whatever their dynamic is I love it as is, and while I prefer platonic friendship to romance I guess the thought experiment of a ship would be interesting to do, so let’s go?
Shikako/Kankurou as a ship outside of setting or potential fic brainstorming, I think…
For some reason my thought process goes like:
Wouldn’t a Shikako/Kankurou ship just be like the Shikako/Kiba ship (pre-Land of the Moon arc)?
NO!
Why not?
Well…
On the surface, I suppose the Shikako and Kankurou dynamic and the Shikako and Kiba dynamic do look pretty similar. There’s witty banter and respectful acknowledgement of badassery tempered with mutual teasing… but it’s the difference between someone seeing a heretofore unseen side of a childhood friend versus learning a new acquaintance without any prior bias.
I feel like Land of the Moon and Lost Child arcs really convey this. Like, Kiba is not only surprised but almost perturbed by Shikako’s more recent actions. They legit have a philosophical discussion about what the right thing to do is and you can almost feel the way Kiba has to revise his opinions of Shikako. No longer is she the girl who was the tree for their school play, now she’s the girl who will single-handedly reverse a coup.
Whereas, if Kankurou were to witness the same thing he wouldn’t find it strange at all. That’s just part of who she is, as far as he’s concerned. If anything, that would add to what he knows about her, might even help explain some her idiosyncrasies. Like. All powerful shinobi have quirks and while no doubt Shikako tries to embody polite normal Konoha girl, I’m pretty sure everyone who talks to her more than once realizes how weird she is–and I say this in the kindest, fondest way possible–that girl is a weirdo.
Knowing what Shikako’s oh shit/fuck you button is is probably a huge relief to Kankurou because he knows it exists–she blew off a guy’s head!–and at least it’s something that he can avoid. Contrast with Kiba who, having grown up knowing her as Shikamaru’s shy sister, probably never even thought she’d have one.
Anyway. That’s my instinctive answer to that.
Thinking more on it, especially on Shikako’s end, I do think she appreciates that non-expectant aspect of their relationship. She doesn’t have to censor herself around Kankurou, weirdly enough. With fellow Konohans, they’ve known her forever; she’s always been around to help them and be a listening ear (it’s one of the many reasons she’s been so stressed lately) and it’s something she feels obligated to maintain.
Even with Gaara she feels obligated to generate an aura of compassion, as a sort of teach by example thing, while with Temari she thinks she needs to maintain that position of strength she established early on.
Kankurou? She can be snarky. She can have stage fright. When she tries to play the polite professional, he snorts and prods at her to just be herself. Yeah, he’ll challenge her to a theater battle, but he’ll be the first one to clap for her. Challenger and hype man both, constantly and simultaneously impressed and amused and I think there’s something comfortable yet exciting about a relationship like that.
Now as for how I would write a Shikako/Kankurou ship? Hm… in a canon DoS setting this would be another one of those that happens post canon events. There are only a few ships that I can see even possibly happening pre-canon (Gaara, Sasuke, Kiba, Ino) but even those would have to be carefully guided and cultivated toward that.
Erm, so yeah. Shikako/Kankurou would be post-canon events. It’d probably be… for some reason, my brain thinks it should NOT just be a tweaked version of Dreaming of S(omething). I think I’d want to do more of a… the semi-canon AU in which Shikako accidentally becomes a TV star
Well, basically, it’s while she’s doing research on the ruins of the Gelel shrine except with less Indiana Jones style shenanigans? I just want it to be like she’s on a sabbatical in Sand and Kankurou is playing tour guide and he’s helping her through her PTSD and what-do-I-do-now-that-my-life-goal-to-survive-Akatsuki-has-been-completed quarter life crisis but he’s doing so either unintentionally or, more likely, purposefully but subtly.
They both kind of explore who they are outside of being shinobi–he’s a huge Theater Nerd and she’s a huge Regular Nerd and they tease each other for it but they also accept each other and it’s fun and relaxing. (I’m having feels over the idea of these teenaged walking weapons of mass destruction striving to be well adjusted human beings.)
In a more definitively AU setting?
…
… OH! A Parks & Rec AU where Konoha people are the Department of Parks and Recreation and Suna people are a different department in the same ambiguously massive city. Maybe they’re something like the Department of Cultural Affairs?
Anyway, that means Konoha are all still tree-huggers as per canon, and there’s a bit of competition between the two groups, but there’s also future collaborations (open air theaters anyone? The equivalent of Shakespeare in the Park?) And that means the other villages can also be mentioned and hated other departments. (WHICH VILLAGE IS THE DMV?)
Kakashi as Ron Swanson who doesn’t do any work because authority is there to laugh at not respect. Shikako as Leslie Knope who only sleeps three hours a day because she has SO MANY PROJECT IDEAS. Ino as Donna Meagle who runs a far more profitable real estate agency but still works in the department to hang out with her friends. Um, I can’t think of the others right now but it’s not like it has to be a one to one swapping crossover anyway.
At first their departments are antagonistic–fighting over budget, stealing each other’s supply of paper clips, the ongoing war to prank the other department which PISSES THE CUSTODIANS OFF SO MUCH. And then they begin to work together–tentative collaboration on cultural events held in parks, etc–and then that becomes alliance against the other departments, etc. etc.
I suppose this AU setting doesn’t necessarily need to be Shikako/Kankurou, but I do think that this AU would fit that particular ship quite well 😀
*gasp* HE WOULD BE THE DMV. -_-
And all those poor ROOT members can’t even comprehend the idea of having fun. At work? Or having friends. AT WORK? They don’t have names, just numbers corresponding to their windows. T_T
Sai gets forcibly adopted into the Parks & Rec Department.
(Sorry this took so long, anon, I saw your ask and then spent the entire day at work pondering it and now there’s a huge rant so… enjoy?)
I’m most fond of them BroTP’ing it up as well, anon. Their dynamic is very… hm… buddy cop? Well, no, it’s more like…
I don’t know, anon. Whatever their dynamic is I love it as is, and while I prefer platonic friendship to romance I guess the thought experiment of a ship would be interesting to do, so let’s go?
Shikako/Kankurou as a ship outside of setting or potential fic brainstorming, I think…
For some reason my thought process goes like:
Wouldn’t a Shikako/Kankurou ship just be like the Shikako/Kiba ship (pre-Land of the Moon arc)?
NO!
Why not?
Well…
On the surface, I suppose the Shikako and Kankurou dynamic and the Shikako and Kiba dynamic do look pretty similar. There’s witty banter and respectful acknowledgement of badassery tempered with mutual teasing… but it’s the difference between someone seeing a heretofore unseen side of a childhood friend versus learning a new acquaintance without any prior bias.
I feel like Land of the Moon and Lost Child arcs really convey this. Like, Kiba is not only surprised but almost perturbed by Shikako’s more recent actions. They legit have a philosophical discussion about what the right thing to do is and you can almost feel the way Kiba has to revise his opinions of Shikako. No longer is she the girl who was the tree for their school play, now she’s the girl who will single-handedly reverse a coup.
Whereas, if Kankurou were to witness the same thing he wouldn’t find it strange at all. That’s just part of who she is, as far as he’s concerned. If anything, that would add to what he knows about her, might even help explain some her idiosyncrasies. Like. All powerful shinobi have quirks and while no doubt Shikako tries to embody polite normal Konoha girl, I’m pretty sure everyone who talks to her more than once realizes how weird she is–and I say this in the kindest, fondest way possible–that girl is a weirdo.
Knowing what Shikako’s oh shit/fuck you button is is probably a huge relief to Kankurou because he knows it exists–she blew off a guy’s head!–and at least it’s something that he can avoid. Contrast with Kiba who, having grown up knowing her as Shikamaru’s shy sister, probably never even thought she’d have one.
Anyway. That’s my instinctive answer to that.
Thinking more on it, especially on Shikako’s end, I do think she appreciates that non-expectant aspect of their relationship. She doesn’t have to censor herself around Kankurou, weirdly enough. With fellow Konohans, they’ve known her forever; she’s always been around to help them and be a listening ear (it’s one of the many reasons she’s been so stressed lately) and it’s something she feels obligated to maintain.
Even with Gaara she feels obligated to generate an aura of compassion, as a sort of teach by example thing, while with Temari she thinks she needs to maintain that position of strength she established early on.
Kankurou? She can be snarky. She can have stage fright. When she tries to play the polite professional, he snorts and prods at her to just be herself. Yeah, he’ll challenge her to a theater battle, but he’ll be the first one to clap for her. Challenger and hype man both, constantly and simultaneously impressed and amused and I think there’s something comfortable yet exciting about a relationship like that.
Now as for how I would write a Shikako/Kankurou ship? Hm… in a canon DoS setting this would be another one of those that happens post canon events. There are only a few ships that I can see even possibly happening pre-canon (Gaara, Sasuke, Kiba, Ino) but even those would have to be carefully guided and cultivated toward that.
Erm, so yeah. Shikako/Kankurou would be post-canon events. It’d probably be… for some reason, my brain thinks it should NOT just be a tweaked version of Dreaming of S(omething). I think I’d want to do more of a… the semi-canon AU in which Shikako accidentally becomes a TV star
Well, basically, it’s while she’s doing research on the ruins of the Gelel shrine except with less Indiana Jones style shenanigans? I just want it to be like she’s on a sabbatical in Sand and Kankurou is playing tour guide and he’s helping her through her PTSD and what-do-I-do-now-that-my-life-goal-to-survive-Akatsuki-has-been-completed quarter life crisis but he’s doing so either unintentionally or, more likely, purposefully but subtly.
They both kind of explore who they are outside of being shinobi–he’s a huge Theater Nerd and she’s a huge Regular Nerd and they tease each other for it but they also accept each other and it’s fun and relaxing. (I’m having feels over the idea of these teenaged walking weapons of mass destruction striving to be well adjusted human beings.)
In a more definitively AU setting?
…
… OH! A Parks & Rec AU where Konoha people are the Department of Parks and Recreation and Suna people are a different department in the same ambiguously massive city. Maybe they’re something like the Department of Cultural Affairs?
Anyway, that means Konoha are all still tree-huggers as per canon, and there’s a bit of competition between the two groups, but there’s also future collaborations (open air theaters anyone? The equivalent of Shakespeare in the Park?) And that means the other villages can also be mentioned and hated other departments. (WHICH VILLAGE IS THE DMV?)
Kakashi as Ron Swanson who doesn’t do any work because authority is there to laugh at not respect. Shikako as Leslie Knope who only sleeps three hours a day because she has SO MANY PROJECT IDEAS. Ino as Donna Meagle who runs a far more profitable real estate agency but still works in the department to hang out with her friends. Um, I can’t think of the others right now but it’s not like it has to be a one to one swapping crossover anyway.
At first their departments are antagonistic–fighting over budget, stealing each other’s supply of paper clips, the ongoing war to prank the other department which PISSES THE CUSTODIANS OFF SO MUCH. And then they begin to work together–tentative collaboration on cultural events held in parks, etc–and then that becomes alliance against the other departments, etc. etc.
I suppose this AU setting doesn’t necessarily need to be Shikako/Kankurou, but I do think that this AU would fit that particular ship quite well 😀
Oh reeeeeeaaaaaally? Sounds like fun, anon, thanks for letting me know. I’ll check it out!
Well, my head canon regarding Shikako and Kankurou’s relationship is greatly based on their canonical theater war during the Land of the Moon arc. And how, even though Shikako would really very much like not to be on stage, she somehow ends up there and how hilarious Kankurou finds it.
Shikako is very accepting of Kankurou’s not-so-Inner Theater Nerd. It’s not as if others discourage him or anything–because the Puppet Corps are a key part of Suna’s culture and military–but I wonder how many support his passion outside of battle puppets.
And, also, all the weird shit that happens to Shikako is very good source material for his future play.
I think, given Killer Bee, that rap already exists in Lightning Country to some extent that Shikako wouldn’t be the one to come up with rap musicals. Especially with… okay, don’t get me wrong, I love Hamilton, but I don’t think Shikako would bring that into the Naruto world even if she knew it (seeing as how the timing of when SQ began the story doesn’t match up)?
It’s very much so based in Our World, and even though it has seen success internationally, Hamilton is still the story about the American Revolution and that’s very… Hamilton is sensational, but it’s not a story that can easily be told in the Naruto World. And if rap originates from Lightning Country, then surely there are already (or at least the foundation for) epic stories told in rap form? Shikako doesn’t really need to be involved in the process.
I love Galavant, too! It’s fantastic, isn’t it? Galavant, I think, would be easier for her to “translate” in the Naruto World, but I have to wonder if she even would? Or, rather, if she would be more involved than telling someone else about the idea and then passing the responsibility onto that person instead.
All we have in canon to base this on is that time she told Sai about Sailor Moon, and it was very much so a one to one kind of experience. I myself have expounded on that idea with Dreaming of S(tories) in that she performs impromptu shadow puppet shows for the kids of Sand and one of the stories is a remake of Little Red Riding Hood called Akako and the Wolf. But that’s still a very small informal experience. Anything bigger, as seen with the theater battle against Kankurou, and she doesn’t feel comfortable.
Sorry, @kristinaxx0, I didn’t mean to rain on your parade per se. I suppose if you mean produce in the same way film producers invest in the idea and have the director take over, then yes I can definitely see Shikako doing that (especially if it’s Sai because she supports him doing anything that isn’t ROOT).
Oooooh, okay. Sorry! I just read the post now so I didn’t understand that Hamilton had been brought up already… as “Hashirama” which is fantastic. 😀
Oh reeeeeeaaaaaally? Sounds like fun, anon, thanks for letting me know. I’ll check it out!
Well, my head canon regarding Shikako and Kankurou’s relationship is greatly based on their canonical theater war during the Land of the Moon arc. And how, even though Shikako would really very much like not to be on stage, she somehow ends up there and how hilarious Kankurou finds it.
Shikako is very accepting of Kankurou’s not-so-Inner Theater Nerd. It’s not as if others discourage him or anything–because the Puppet Corps are a key part of Suna’s culture and military–but I wonder how many support his passion outside of battle puppets.
And, also, all the weird shit that happens to Shikako is very good source material for his future play.
I think, given Killer Bee, that rap already exists in Lightning Country to some extent that Shikako wouldn’t be the one to come up with rap musicals. Especially with… okay, don’t get me wrong, I love Hamilton, but I don’t think Shikako would bring that into the Naruto world even if she knew it (seeing as how the timing of when SQ began the story doesn’t match up)?
It’s very much so based in Our World, and even though it has seen success internationally, Hamilton is still the story about the American Revolution and that’s very… Hamilton is sensational, but it’s not a story that can easily be told in the Naruto World. And if rap originates from Lightning Country, then surely there are already (or at least the foundation for) epic stories told in rap form? Shikako doesn’t really need to be involved in the process.
I love Galavant, too! It’s fantastic, isn’t it? Galavant, I think, would be easier for her to “translate” in the Naruto World, but I have to wonder if she even would? Or, rather, if she would be more involved than telling someone else about the idea and then passing the responsibility onto that person instead.
All we have in canon to base this on is that time she told Sai about Sailor Moon, and it was very much so a one to one kind of experience. I myself have expounded on that idea with Dreaming of S(tories) in that she performs impromptu shadow puppet shows for the kids of Sand and one of the stories is a remake of Little Red Riding Hood called Akako and the Wolf. But that’s still a very small informal experience. Anything bigger, as seen with the theater battle against Kankurou, and she doesn’t feel comfortable.
Sorry, @kristinaxx0, I didn’t mean to rain on your parade per se. I suppose if you mean produce in the same way film producers invest in the idea and have the director take over, then yes I can definitely see Shikako doing that (especially if it’s Sai because she supports him doing anything that isn’t ROOT).
Oh reeeeeeaaaaaally? Sounds like fun, anon, thanks for letting me know. I’ll check it out!
Well, my head canon regarding Shikako and Kankurou’s relationship is greatly based on their canonical theater war during the Land of the Moon arc. And how, even though Shikako would really very much like not to be on stage, she somehow ends up there and how hilarious Kankurou finds it.
Shikako is very accepting of Kankurou’s not-so-Inner Theater Nerd. It’s not as if others discourage him or anything–because the Puppet Corps are a key part of Suna’s culture and military–but I wonder how many support his passion outside of battle puppets.
And, also, all the weird shit that happens to Shikako is very good source material for his future play.
Oh, perhaps not, anon… I respond to all the asks I get, even with a short answer, so if it’s not in the pokemon tag then probably tumblr ate it?
But yes! Shinobi are like Rangers (the trainer class) in that they’re a more wildlife capable version of police officers. I guess the equivalent would be the Royal Candian Mounted Police vs the more urban police department for specific cities. (I say this with the barest of knowledge that the Vancouver Police Department is different from Mounties).
Uh, I guess a more useful comparison is that the currently extinct Konoha Military Police is what Officer Jenny is, while the general shinobi forces are what Rangers are? KMP focuses on the towns and human-only crimes. The shinobi-rangers are the ones that deal with non-urban areas and anything involving Pokemon. Which is nearly everything in this fusion world…
Shinobi are also the only one who are allowed a full team of six Pokemon (normal citizens only get two–which is why even kids before they graduate from the Academy have Pokemon from their family, etc).
I do like the idea that each team member is specialized for different scenarios, but I also think that uh… Teams (as in with three genin and a jounin) are also specialized as per canon. Obviously Team Eight are trackers/hunters, and Team Gai are bodyguards. I think Team Ten is meant to be like… infiltration/siege/fortress-breakers? And then there’s Team Seven which are, historically, the heavy-hitter frontline fighters.
I mean, obviously, different Teams can do different missions–as in canon–but I think the types of Pokemon that the Teams have do reflect a specialization of their own.
Santa clearly made a mistake at some point in his life, but he’s not sure when or what exactly it was.
It might have been last week, complaining in front of Anko about his desire for more exciting missions. It might have been four years ago when he joined T&I on a more permanent basis.
It might very well have been this morning when he, ever so foolishly, walked within Ibiki’s line of sight and got drafted into what is, admittedly, already turning out to be a bizarre yet exciting mission.
He’s still not entirely convinced this isn’t some extensive genjutsu or psychotropic poison that Anko has surreptitiously dosed him with: there are aliens and off-planet travel and apparently the Nara Clan Head’s wife is some kind of space warrior and he doesn’t know what he did to end up here and now.
This is the sort of stuff that should be in kid’s manga, not real life!
(Not that Santa still reads manga or has a collection in his apartment or a subscription to the monthly serials, no way.)
Then again, he has heard rumors about the kind of missions that the Nara Clan Head’s daughter gets up to…
(and it’s an open secret in the Yamanaka clan about what happened to Ino-sama)
… well, he just made this mission even more horrifying for himself.
Focus, Santa. If he’s going to be a jounin one day, that means going on bizarre and horrifying missions with a sense of dignity.
And, frankly, better this than watching over the newest generation of Yamanaka, young and fearless and newly trained in the mind arts. And inexplicably fond of Ibiki…
So, yes, Santa has made a mistake to end up here, but it’s not the worst mistake he’s ever made.
—
Chewie grumbles, discontent and loud, and Han rolls his eyes.
“Yeah, I already know, buddy,” he mutters, going through post-jump protocols, “But this isn’t the worst mistake we’ve ever made.”
Chewie snorts a disagreement.
“There were those Klatooinian mercenaries that weren’t exactly happy with us after you–”
A howl, denial and reprimand both.
Han smirks, “And you have to admit, for a prison that one was pretty nice. Three squares, clean and comfortable. No beatings from the guards…”
Chewie’s grumbles again, still discontent but less loud.
“… I could do without the two extra passengers, too, but a paycheck is a paycheck, am I right?”
Silence reigns over the cockpit. Han doesn’t need to look at him to know that Chewie’s expression is that of sheer skepticism.
It’s not the first time that Han’s eyes have been bigger than both of their stomachs–which is saying a lot considering the size of Wookie stomachs–but this is the first time their cargo has been so blatantly against Imperial laws.
Both of them are old enough to remember the Clone Wars, the fall of the Jedi and the Republic both–Kenobi and Skywalker aren’t exactly names hard to forget.
And having two sentients from a planet that’s not on any known record?
He’s made worse mistakes, sure, but that probably depends on the criteria being used.
—
Obi-Wan has made a great many number of mistakes in his long life and, no doubt, he will make more before he finally becomes one with the Force. But this, he is quite sure, is not one of them.
If anything, this feels like atonement.
He ponders the thought, watching young Luke training against the blaster orb. Watching Yoshino’s young companion watch the same.
Little Yoshino. Bant’s only padawan. He had thought her overly demanding, waiting so long for a padawan that she liked.
He had only thought of his own time as an initiate–so close to aging out–then his own time as a master, padawan inherited rather than chosen for himself.
How foolish he had been, yet thinking himself wise; blinded by his own hubris.
But now he sees clearly, or at the very least he hopes so, hopes the Force will guide him and he will properly listen.
He has made many mistakes. He hopes he can live to see some of them corrected.
7:28 to be exact, the hospital clock tick-tick-ticking alongside the monitors beep-beep-beeping Kakashi’s proof of life.
She and Sasuke and Sakura are all but camped in his room, notes strewn with extra blankets, hair ribbons mixed with whetting stones and arm guards.
Except for missions and hospital rotations, quick trips home for showers and changes of clothes, the three of them–four of them, to Kakashi’s continued reluctance–can be found in his room.
It’s an ignoble setting, but that’s where it begins.
A royal messenger from the Land of the Moon with full retinue–including the familiar stoic face of Captain Korega–come for her in the morning.
“Shikako Nara?” they ask, finery and coiffed hair so different from her research frenzied muss.
She uncurls from her spot on Kakashi-sensei’s bed, getting slowly to her feet. Sakura, blinking sleepily in a visitor’s chair, sits up; Sasuke, leaning against the wall, straightens out and readies his stance.
“Yes?” she says, before spotting Shizune beyond the cloud of silk and embroidery. Shizune nods, and so Shikako repeats more firmly, “Yes.”
The contingent exchange glances amongst themselves before, in unison, kneeling and bowing–bright flower petals falling to the ground.
She takes a step back, confused. Unnerved.
The leader looks up, meets her eyes, and intones,
“Long live Queen Shikako, first of her name, sovereign of Land of the Moon!”
—
A scant hour later, barely an eye blink, she finds the nightmare has relocated.
Shikako can hardly count the number of times she’s been in the Akimichi clan compound’s ceremonial hall, but it’s only ever been in two contexts: as her father’s daughter, or as Chouji’s friend.
The reason this time around is distinctly neither of those.
Chouza puts a hand on her shoulder, huge and warm and gentle even through the layers of borrowed kimono her mum hastily stuffed her into. It’s a welcome gesture of comfort in such an awful situation; Shikako tries to smile at him even though it’s the last thing she feels like doing.
The ceremonial hall can reliably contain dozens of Akimichi, Nara, and Yamanaka. Birthdays and receptions and memorials, the hall full to bursting; the parties spilling out to the courtyard where huge tables of food are spread. Music and laughter and chatter, children playing and elders gossiping. Noise and bodies and family coming together.
This is the exact opposite.
Silence ringing loud and the vast hall, strained and tense. Including the contingent from the Land of Moon, they are less than fifteen total. The royal messenger and his retinue, the Hokage and the three council members, Chouza and herself.
She feels her age keenly, borrowed finery weighing down on her heavily. Crushed beneath layers of silk and the realization that she has very little say in any of this.
And she’s supposed to be queen?
What a joke.
—
Technically, technically, technically. Everything comes down to technicalities.
Technically, Land of the Moon was in the middle of a revolution when she and her team stumbled into the mess.
Technically, King Kakeru had been overthrown–had been murdered–had lost sovereignty.
Technically, the monarchy follows the Tsuki bloodline.
Technically, Prince Michiru–and his son Hikaru–had abdicated by fleeing the castle.
Technically, Shabadaba–as minister and nearest kin to the Tsuki family–had inherited the title of king.
Technically, she had waged a one woman coup against Shabadaba.
Technically, she had won.
Technically, she had only turned over Shabadaba’s judgement and castle security to Prince Michiru and Captain Korega respectively.
Technically, she is queen.
And yet, the monarchy follows the Tsuki bloodline.
—
Her dad had rejected an arranged marriage to be with her mum. Had defied his elders, had given up leadership of the Nara clan to do so.
That was his prerogative, as man and heir both, to sacrifice his clan membership for the future he wanted.
Of course, events transpired such that he could have both, but still. That was his decision. He had a decision.
But clan matters are one thing. International relations are another:
Not even Chouza’s fierce support can match the will of the Konoha Council. No loyal Konoha shinobi can disobey an order from the Hokage. The contingent from the Land of the Moon do not even understand what it is that’s being argued.
There is no choice for her to make when there is only one option offered.
—
The farce of a negotiation ends.
The royal messenger and his retinue leave, returning to their lavish rooms in Konoha’s finest inn. Trailing at the end, Captain Korega had drawn near, murmured a quiet, gruff apology and, perhaps, at a later time she would appreciate it.
The Council had tried to speak to her, lecture her on the political opportunity available to her, but Chouza had waved them away, voice near to a growl. She has lost a battle on his turf, he will not let the scavengers pick at her bones.
Tsunade, last to leave, stands in front of her kneeling form, Hokage robes and hat ominous. She is silent for a moment, eyes sharp and searching, before nodding once at Chouza and exiting.
Even as Chouza draws close–protection and stand-in comfort until her parents can come–Shikako can feel a pang of betrayal. She thought Tsunade would be on her side. Would fight for her freedom. She knows she isn’t Naruto, darling and dear, but some arrogant part of her had assumed that she was worth a measure of special treatment as well.
But Tsunade is a good Hokage, a good leader, and Shikako is just one of her many soldiers.
No loyal Konoha shinobi can disobey an order from the Hokage.
—
Engagement party is a bit of a misnomer even if it is, technically, correct.
Her family weren’t the only ones waiting for the verdict.
Somber and silent and far too stilted, but the Akimichi clan are quick on their feet for this, and soon enough food is prepared for the gathering of her family and friends.
It might as well be a wake.
“Queen Shikako,” Ino says, teasing smile about a third as bright as it might be in any other context, “at least it’s not princess.”
Sakura, romanticism tempered by social acuity, nods with a shaky attempt at a smile herself.
Together with their help, Shikako is able to wriggle out of several layers of borrowed kimono. Mum was going to do it properly, but she had taken one look at Shikako’s face, hugged her tight, and stomped off to where Dad and Chouza and Inoichi were conferring.
Less encumbered, Shikako returns to the main hall where so many people turn and stare at her entrance.
This is hell.
For a widening, maddening moment, she can see this as her future: endless silks and constant stares and the crawling, impending feeling of being trapped.
Then her stomach growls, and if it didn’t break the tension so easily, she’d die of embarrassment.
“A hungry stomach at an Akimichi party?” Chouji calls out, diverting attention away from her. He’s standing by her brother, not too far from their dads, and she wonders how much of it they know.
“We can’t have that,” he finishes, prompting everyone to move around. Free food is enticing to any hardworking shinobi, but free Akimichi food is like winning the lottery, and she sighs in relief. She’d play second chair to food any day.
A plate is assembled for her, both not enough and far too much for her hungry, nauseated stomach.
It feels like a last meal, lavish and resigned.
—
Technically, she is queen.
And yet, the monarchy follows the Tsuki bloodline.
To resolve this dilemma, the cabinet of the Land of the Moon proposed an engagement.
Hikaru is the last of the Tsuki line, royal in blood if no longer, technically, by law. If she were to marry him, then that would reunite the halves, and their future child would be once more monarch in full.
She is lucky he is only a child, and that their’s will be a long engagement. With the engagement confirmed, Prince Michiru… Lord Michiru… as her future father-in-law can rule as king regent in her stead leaving her free to continue her career as a shinobi.
Until Hikaru comes of age.
It’s a neat solution for an untenable political problem, and she’d probably admire the efficiency if it weren’t about her.
As is, all she can see is the countdown looming in front of her, an additional set of tracks beyond her already railroaded life and hey, there’s a thought:
Maybe she won’t have to deal with any of this because the entire world will be too busy being caught in a massive genjutsu by a megalomaniac to care about one measly little kingdom.
She sighs, gustily, and someone helpfully refills her sake cup.
Shikamaru eyes it, glares at whoever poured it for her, but stays silent as she takes a swig.
It’s her engagement party and apparently she’s queen: she can do whatever she wants.
—
She has no idea how so many people have today off or aren’t away on missions, but with all of them around she can barely hear herself think. And, regardless of the reason why, she does appreciate having her friends and family around.
Shizune shows up a few hours into the party which has gone from awkward to giddily, desperately drunk. Or maybe that’s just her.
It makes playing Shinobi’s Rest difficult, but she’s actually doing pretty well. She’d suspect everyone was going easy on her except her friends are far too competitive to do that, and she’s not the only one who has been drinking.
With the alcohol and noise, she almost doesn’t catch Shizune’s arrival. If it weren’t for the determined stride directly to where the dad version of Ino-Shika-Cho, Shikako might have just dismissed it as Shizune coming late to the impromptu party.
But she comes bearing a scroll and, after handing it over, doesn’t leave despite the tempting array of food and drinks or the fact that Shizune is too busy and skilled for a mere delivery.
The dads look over the scroll, confer with each other once more, glancing her way every so often and now Shikako is more than just curious.
Wobbly, she gets to her feet, laughing and grateful for the help. “No, no, keep playing,” she says, waving them off, but Sasuke stands up to follow her and, spotting their trajectory, so does her brother.
Dad accepts her sideways hug and understands it for what it is, shifting so that she can see what is on the scroll, too. Shikamaru, less one for plausible deniability, just leans heavily onto Dad and looks over his shoulder. Sasuke, not exactly keen on cuddling, stands off to the side.
A missive from the Hokage’s desk, burn after reading.
—
No loyal Konoha shinobi can disobey an order from the Hokage.
Spoken or written.
By law, the Hokage and the Daimyo are separate entities–it’s why the Twelve Guardian Ninja exist, after all, to prevent conflict of interest. Too much power for a single person to hold.
Shikako has less than a decade to fulfill these orders, but if she can succeed…
It will be trading one throne for another–a crown for a hat, a kingdom for a village–but at least she’ll have a choice.
I wanted to play around more with the political ramifications of the Moon Country arc and ended up basically writing about Shikako’s deep-seated dislike of arranged marriage instead?
Also, since SQ posted Chapter 124 as I was writing this, I suppose the first bit is kind of… outdated.
(Also, which characters do I even tag for this, wth self?)