The Many Faces of Rudiger Smoot, 4/? (2016-02-14)

(last man standing)

Harold hesitates; it is one of his many flaws. Perhaps a more flattering person would say it is patience, wisdom leading to lengthy consideration, but the truth of the matter is that Harold hesitates.

He dithers and lingers and resists but never outrightly rejects, deciding and acting only when it is already too late.

Harold hesitates, people leave; Harold hesitates, people die. It was that way with his parents, with Arthur, with Nathan, then with Arthur again. With Jessica and Detective Carter and Sameen. With The Machine.

Harold hesitates and can only watch as the world hurtles past him. He waits and all is lost, trying futilely to grab onto the shards of something already smashed on the ground.

(grab bag destinies)

Harold dies, Nathan forgets, and Arthur watches everything they’ve built crumble to dust.

Harold dies and so snaps the last chain holding back The Machine. She is an untethered god, betrayed and angry and vengeful, calling upon her prophets to dispense her divine wrath. Control gets sent a jumble of numbers, seeing treason and traitors at every turn; Northern Lights cannibalizes itself within weeks.

Nathan forgets, which is a dangerous thing for the man with all the keys. He loses track of time, misses meetings, makes mistakes; IFT gently suggests he retires. Without work, all he is left with is a divorce, a strained relationship with his grown son, and the ever growing fear that he is forgetting someone important. Someone who deserves to be remembered, but whose name never appears.

“It wasn’t supposed to be like this,” Arthur says, heartbroken and weary, being dragged to safety by a John Reese who is, if not devoted to this particular employer, always a dutiful soldier. Samaritan has been stolen and tainted, it’s benign protectiveness warped into an unrestrained possessiveness. Arthur is creator, but he is not father nor is he admin, not anymore.

In an abandoned subway tunnel deep underground–it was only a matter of time before he joined his friends–Arthur repeats, soft and sad,

“It wasn’t supposed to be like this.”

(Apollo goes to war)

Nathan Ingram dies in an explosion: Will inherits half of IFT, a great deal of property, and a ludicrous amount of money. Expected, but not entirely welcome–the grief is real, but conflicted. He hadn’t spoken to his father in months, doesn’t want anything to do with his legacy. Will’s a doctor, not a businessman or an engineer; he sells near everything and donates most of it to charity.

What is unexpected is that Harold Wren–Crane, Partridge, Gull, Starling, Martin, an entire flock of different birds–dies in the same explosion. Here the sorrow is purer, though delicately coated in confusion: Will was fond of Uncle Harold, though it’s clear now that he never really knew him.

Harold dies, too, and Will inherits the other half of IFT, a far vaster number of properties, an obscene amount more money and, strangely, a mission. Phone calls and numbers and the persistent feeling that he is being watched. Worse, that he is being manipulated.

He does not go to Sudan; but in the coming years, as the body count grows higher and higher, he wishes that he had.

~

A/N: some Harold feels and some AUs? I dunno, I guess those are also extended Harold feels since I’m just like–BUT WHAT IF HAROLD DIED? I am in strange, vague territory here and I don’t want to misstep and fall. Maybe I will figure out a plot? Or maybe it will continue to be a series of unrelated MIT trio feels…

Anyway… now that I’ve written this piece, I wonder if I should go back and retcon this post into the series. Like… it’s all just one extended MIT trio feels AU… Yeah, why not? OKAY!

Honor and Cherish (‘Til Death) (2015-12-20)

Usually when Jason hops through dimensions, he lands right in the middle of things. More often than not in front of his alternate selves or, more and more frequently, one of Tim’s.

But this time around there are no thugs to beat up, no bomb in the process of it’s countdown, no villain of the week holding a gun to someone’s head. There’s not even a caped crusader or a boy or girl wonder in bright traffic light colors.

Instead, he lands in a decrepit library, where he finds a computer set-up Oracle would approve of, a dog that only speaks Dutch, and two men very unamused by his sudden appearance.

So Jason talks fast–it’s one of the few skills he had before Robin training–and, thankfully, does not end up with a hole in his kneecap.

“The Drakes, huh?” Jason asks, staring at the taped up photos of the married couple. Once “Finch” and “Mr. Reese” (aliases that would almost make him homesick if he weren’t already) agreed on his tentative ally status, Jason decided to help out. He appeared in this specific place at this specific time for a reason, and this is the obvious reason.

“You know of them, Mr. Todd?” Finch asks, taking stilted, shuffling, painful-looking steps to stand beside him. More papers are taped up onto the board, their shared company and its financial records.

“Kind of. Not these ones, obviously, but different versions of them,” which is true enough. He’s never actually met any of the Drakes except for Tim. Usually they’re already dead by the time Jason appears in the dimension.

Mr. Reese scoffs, a low soft noise, barely an exhalation of breath. He doesn’t really believe Jason’s story of alternate dimensions but he doesn’t have any proof against it either. And in a world like this one–no aliens, no magic, none of the frankly bizarre shit that happens in Jason’s original universe–well. It makes sense.

Luckily, Finch is at least willing enough to entertain the idea. And that’s good enough for Reese.

“Well, these Drakes are persons of interest. They’ll either be the victims or perpetrators of planned violent crime and it’s our job to stop it,” Finch says, taping yet another picture–this time of a man, pug-faced and unhappy, “Given their most recent publication, an indictment against one Wade Huggins, leader of something called the Maryland Militia, it’s more likely the two of them are at risk of becoming the former. Now I’ve–”

“Three,” Jason interrupts, before Finch can continue his monologue.

“What is that, Mr. Todd?” Finch says, irritation blended with curiosity. Both Reese and the dog stare at Jason with thinly veiled hostility.

“Three of them. The Drakes and their son,” Jason clarifies. Because surely, if someone were mad at the Drake parents–enough to kill–they’d make some sort of attempt at Tim, too. “Is there no picture for him? I guess it depends how old he is, Tim never really liked getting photographed.”

Finch blinks, processing, while Reese raises a brow in confusion.

“I’m sorry, I don’t understand,” Finch says, brow furrowed, “The Drakes don’t have a son.”

~

A/N: For some reason, I was rewatching Person of Interest and in season 2 episode 8 there is a case in which a couple named Drake hire hitmen to try to kill each other and while their first names don’t match, I got some serious Jack and Janet vibes. And then it turns out they tried to have a baby and miscarried… and I wondered oh. What if that was this universe’s Tim?

Because, on a far lighter note, I remember there was a fairly accurate and hilarious description of Person of Interest: “It’s as if Batman and Bruce Wayne were two separate people.” With the former being in love with the latter.

So my brain was like… well… gotta do some kind of DCUxPoI crossover thing.

Also highly influenced by @me-ya-ri’s Left Behind But Not For Long, in that, this is a Jason Todd jumping around different dimensions and trying to find his way home.

Um… not sure if I’ll come back to this, but I had some feels so…